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OUIDAH VOODOO FESTIVAL IN BENIN – a joyous celebration with 13 photos to inspire [2021 UPDATED]

An Annual Celebration Not to Be Missed is Benin’s Voodoo Festival in Ouidah   Picture colour, music, singing, dancing, and a joyous party attracting national and international visitors. This is…

An Annual Celebration Not to Be Missed is Benin’s Voodoo Festival in Ouidah

 

Picture colour, music, singing, dancing, and a joyous party attracting national and international visitors. This is not Carnival in Rio de Janeiro or Venice. Add religion and culture, and you have Benin’s Voodoo Festival in Ouidah. With 13 photos to inspire your curiosity, wanderlust, and travel plans, join me in my experience of Benin’s Voodoo Day national celebration.

 

Voodoo Day in Benin falls on January 10 each year. It is a national holiday celebrating the country’s heritage of the West African religion of Voodoo.

Benin (officially the Republic of Benin) is a sliver of a nation in West Africa on the Atlantic Ocean. It borders Togo to the west, Nigeria to the east, and Burkina Faso and Niger to the north. Ouidah is a city on Benin’s narrow strip of coastline and was the ancient port of the slave trade.

An image of a map of West Africa

Map of West Africa

 

Attending Benin’s Voodoo Festival in Ouidah was my primary reason for travelling to West Africa.

Voodoo is one of Benin’s official religions, while Ouidah is considered the birthplace of Voodoo. It is probably one of the most misunderstood religions in the world. West African Voodoo is a complex religion rooted in healing and doing good to others. It is not the stuff of Hollywood – of witchcraft and black magic or sticking pins in dolls.

I must admit it was curiosity that fed my travel plans to include the Voodoo Festival in Ouidah. I wanted to witness this annual celebration of Benin’s heritage and traditional culture and to experience a unique festival.

My participation at the Voodoo Festival commenced with a visit to Ouidah’s Temple of Pythons – one of Voodoo’s most revered places and home to some 60 pythons. The pythons are a significant symbol for followers of Voodoo. They are not feared but are revered and worshipped. These pythons were said to be docile, which was just as well because they roamed freely. It was here, through a break in the trampling crowd, that I momentarily sighted the Voodoo Pope who had come to pay homage at the Temple of Pythons.

a group of women dressed in multi-coloured clothing and each wearing many bead necklaces.

Female Voodoo devotees at the Temple of Pythons

 

From the Temple of Pythons, the Voodoo Pope led a procession along the historical, 3-kilometre Slave Road to the ‘Door of No Return’ (of slave trade infamy) on Ouidah’s beach on the Atlantic coast. It was on this stretch of sand that the celebrations of the Voodoo Festival truly got underway.

And what a celebration!

With the dignitaries’ speeches over (this took over an hour), it was party time. But first, the spirits and Voodoo gods needed to be appeased with the sacrifice of a goat. The Voodoo Pope carried out this ritual behind a circular wall of blue plastic away from public view. Animal sacrifice is a fundamental element in Voodoo. No Voodoo ceremony is worth its salt without an animal sacrifice in exchange for favours from the spirits.

Immediately following the sacrifice, the Voodoo Pope made his way to his throne in the shadow of the Door of No Return. I say ‘throne’ because the festival hosts referred to him as “His Majesty the Pope”.

A seated group of men and women dressed in multi-coloured clothing.

The Voodoo Pope (in blue robes) on his throne

 

With the Voodoo Pope seated, the atmosphere changed. The speeches gave way to vibrant displays of dancing and the throbbing of drums. I witnessed ‘exorcisms’ in which a seemingly possessed person would run away from a group of people, only to be caught, dragged to the ground, and sprinkled with powder. The crowd became particularly excited when coloured haystacks appeared, spinning around the grounds. I learned these ‘haystacks’ are Voodoo spirits known as Zangbeto and are the traditional Voodoo guardians of the night – the Nightwatchmen. They are the unofficial police force and dispensers of justice. I did not envy the human police who battled to keep the crowds from encroaching on dancers and Voodoo spirits.

With so much going on around me, I wandered around aimlessly. I didn’t know which group to stay and watch or where to go next. But I was intent on seeing it all. I moved around the festival for a couple of hours until I decided it was time to sit down and people watch.

Overall, the celebration at the Voodoo Festival in Ouidah was a hive of activity in which people would swarm from one dance display to another. A kaleidoscope of colour from the attire worn by attendees and a cacophony of noise from the frantic pounding of drums dominated the festival. The crowd was buzzing.

But perhaps, the best way to describe the Voodoo Festival and my experience is to share some of my photos with you.

 

Ouidah’s Voodoo Festival was a never to be forgotten experience.

 

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain the copyright © of Just Me Travel 2021.

 

Which festival have you attended that has been a ‘never to be forgotten experience’ for you? Tell us about it. Please leave a comment below to share your thoughts.

 

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Related posts

For more posts on Africa, visit Just Me Travel: https://justme.travel/category/destinations/africa/

 

Author’s Note: Please check the latest travel restrictions before planning any trip, and always follow government advice.

 

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3 OF THE BEST THINGS TO SEE AND DO IN ROCHESTER, VICTORIA [2021 UPDATED]

Visit Rochester Victoria – 3 Excellent Reasons to Plan Your Next Great Escape   Are you looking for a day trip or overnight stay in rural Victoria? On the Campaspe…

Visit Rochester Victoria – 3 Excellent Reasons to Plan Your Next Great Escape

 

Are you looking for a day trip or overnight stay in rural Victoria? On the Campaspe River, Rochester is an idyllic spot to see silo art, take an informative walk through the Australian bush, and eat good food. My one-day guide will take you there.

 

On a 12-day road trip around Victoria, my sister and I stopped over in Bendigo and Ballarat, travelled the silo art trail, photographed our reflections on Lake Tyrrell, explored the Lakes District around Kerang, and walked the Koondrook Barham Redgum Statue Walk.

Rochester was our last stop, arriving late afternoon. The following day, we viewed Rochester’s silo artworks and took the river walk before heading home in the early afternoon. These are two of the best things to see and do in Rochester. The third best thing to do in Rochester was eating – well worth mentioning, given our food experience on this road trip.

Where is Rochester

Situated on the Campaspe River in Victoria (Australia), Rochester is 27 kilometres south of the Murray River Port of Echuca. The Murray River, in New South Wales, forms the border with Victoria and is Australia’s longest river.

Taking the fastest route, according to Google maps, Rochester is 187 kilometres north of Melbourne, 27 kilometres south of Echuca, and 240 kilometres south-west of the twin cities, Albury/Wodonga.

Silo artwork

Squirrel Glider and Azure Kingfisher painted on grain silos at Rochester, Victoria

Silo artworks of Squirrel Glider and Azure Kingfisher at Rochester, Victoria.

 

Rochester’s Silo Art project was the initiative of Rochester Business Network, with support from local businesses and the community. GrainCorp provided the silos as ‘creative’ canvases for artworks on a massive scale. To give you an idea of perspective, the concrete silo is 22 metres high (approximately 72 feet), while the height of the metal silo is 18 metres (about 59 feet).

The painted silos are in the heart of town. They feature the endangered Squirrel Glider on the concrete silo and the Azure Kingfisher on the metal silo. Both are native to Australia.

The painted silos, completed in 2018, is an open-air gallery that never closes and is free to visit. It is street art at its best.

The artist who designed and painted these magnificent murals, Jimmy DVate, is the same artist who painted the silos at Goorambat in North East Victoria.

Jimmy is a Melbourne based artist and graphic designer whose talent is recognised nationally and internationally. He is passionate about conservation and is particularly keen to highlight the plight of endangered species. Painting threatened Australian native fauna is a ‘signature’ of Jimmy’s artwork.

Of all the silo artworks we saw on this road trip around Victoria, which took in the Silo Art Trail, the Rochester painted silos were my sister’s favourite. They rate very highly on my list too. I think I must have an affinity with Jimmy DVate’s artworks as his paintings on the silos at Goorambat are also at the top of my favourites list.

The endangered Squirrel Glider painted on Rochester’s grain silo

 

River Walk

Walking from the painted silos, we made our way to Rochester’s Red Bridge, a timber rail bridge crossing the Campaspe River at the northern end of Ramsay Street. Built in 1876, the Red Bridge consists of three openings of 14 metres spanning the river and 16 openings of seven metres over the flood plain.

A photo of a rail bridge on brick arches surrounded by Australian native trees

Red Bridge – the rail bridge crossing the Campaspe River at Rochester

 

The Red Bridge features in the background in the silo artwork of the Kingfisher.

Painting of a blue and yellow bird, a river, and a bridge on a metal silo

Rochester’s Red Bridge features in the background on the silo artwork of the Kingfisher

 

The Red Bridge was our starting point for the 3-kilometre signposted river walk through the urban bushland of the Campaspe River Reserve at Rochester.

The red dotted line indicates the river walk on the map below – taken from the brochure, Experience Rochester, courtesy of Rochester’s Visitor Information Centre.

The river walk route shown on the map of Rochester, Victoria

Map of Rochester, Victoria, showing the river walk route

 

The trail meanders beside the Campaspe River through the iconic Australian bush. The Australian bush always gives me that sense of being home, no matter where I am experiencing it in Australia. And this walk did not disappoint. It was so peaceful. Just us two and birdsong.

The river walk was an easy 3-kilometre walk along the riverbank. Being flat, it was not in the least bit challenging. Benches provided a place to sit for a while and immerse yourself in the stillness and tranquillity.

The trees provide a habitat for local wildlife. My sister enjoyed seeking and identifying the different species of native birds.

Rochester’s river walk through the Campaspe River Reserve is not just a bush walk but a history lesson along the way. Plaques dot the trail at specific points of local historical interest, providing insight into how the local Aboriginal people used the area. For example, pointing out ‘scarred’ trees caused when the Aboriginal people stripped the bark to make canoes, shields, containers, and shelters. And the grooved rocks from grinding their axes.

The Campaspe River is a tributary of the Murray River. It is slow-flowing along the Reserve’s walk – as evidenced in the photos I took of the bush reflected in its waters.

When to go

We visited Rochester in the first week of May, towards the end of Australia’s autumn. In May, the average daytime temperature for Rochester is 17 degrees Celsius, with an average of 5 rain days for the month. The temperature was just right for a bushwalk along the river.

If you are looking at visiting Rochester at another time of year and wondering what the weather will be, you can find the information you need at FarmOnline Weather.

Where to eat

On our 12-day road trip around Victoria, we struggled to find decent food. Food that gives you that feeling of satisfaction. Food that lets you know you have eaten well. We could count on one hand the number of good meals we had on this road trip. But Rochester scored 2 out of 2 – dinner at the Shamrock Hotel and breakfast at Kits Kafe.

Our decision to try the centrally located, historic Shamrock Hotel for dinner was a good one (corner of Gillies and Moore Streets). I had crumbed lamb chops on a bed of mashed potatoes with seasonal steamed vegetables. My sister had the Thai Beef Stir Fry. We both agreed the food was excellent. These were some of the best pub meals we had ever eaten and were thoroughly enjoyed. Had we been staying another night, we would have gone back for seconds as there was much more on the menu we wanted to try.

Breakfast at Kits Kafe (51 Moore Street) was a yummy affair. We both had the pancakes – mine with maple syrup and bacon and my sister’s with fruit cumquat and bacon. The service was excellent, the food was delicious, and the coffee was worth going back for after our river walk.

We could see the silo artworks across the road from the Kits Kafe.

Where to stay

In Rochester, we stayed at the Rochester Motel, but there are other accommodation options available.

Next time I overnight in Rochester, I would like to stay at The Tavern (49 Moore Street) – bed and breakfast accommodation offering boutique queen rooms with ensuite.

Our main reasons for stopping overnight at Rochester were to break the journey between Kerang and Albury and see the silo artworks I had heard much about. The river walk was an enjoyable bonus, as was our food experience. In all, we came away feeling delighted with our visit to Rochester.

 

Editor’s Note: This blog post was originally published in July 2019 and has been updated for accuracy and comprehensiveness.

 

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. Unless specifically stated, all photos are my own and remain the copyright © of Just Me Travel.

 

Comment below to share your thoughts on this blog post. Are amazing silo art, a beautiful river walk, and good food enough to tempt you to visit Rochester? What else would you recommend people see and do in Rochester?

 

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A painting on a metal grain storage silo of a blue and yellow bird with a long narrow beak. The painting includes a river and a bridge behind the bars.

Gum trees along the banks of a river

 

Related posts

For more on Victoria, Australia, read:

UNIQUE SILO ART CELEBRATES LOCAL COMMUNITIES AND FAUNA

THE COMPLETE GUIDE TO ROAD TRIPPING VICTORIA’S SILO ART TRAIL

FOOD IS FREE LANEWAY ENGAGES AUTHENTIC COMMUNITY SPIRIT

High Tea on the Yarra River, Melbourne

 

Author’s Note: Please check the latest travel restrictions before planning any trip, and always follow government advice.

 

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THE UNIQUE YINDYAMARRA SCULPTURE WALK IN ALBURY, NEW SOUTH WALES [2021 UPDATED]

Unique Sculptures Beside the Murray River in Albury Celebrate Local Aboriginal Art and Culture   The Yindyamarra Sculpture Walk is a shared walking and cycling path with the mighty Murray…

Unique Sculptures Beside the Murray River in Albury Celebrate Local Aboriginal Art and Culture

 

The Yindyamarra Sculpture Walk is a shared walking and cycling path with the mighty Murray River on one side and West Albury Wetlands on the other. What makes this path unique is the Aboriginal sculptures by local Indigenous artists installed along the way, sculptures that tell stories of Aboriginal culture and lore. Follow the Yindyamarra Sculpture Walk through the photographs in this post, learning about each sculpture as you go.

 

A river with trees reflected in its waters

Murray River near Kremur Street Boat Ramp, Yindyamarra Sculpture Walk

 

Photo of a pond with dead trees in it, surrounded by bush

West Albury Wetlands, viewed from the Yindyamarra Sculpture Walk

 

The Yindyamarra Sculpture Walk in Albury is a 5.6-kilometre (loop) section of the much longer Wagirra Trail (15 kilometres return, linking Wonga Wetlands with the South Albury Trail). Following the Murray River, the Yindyamarra Sculpture Walk stretches from the Kremur Street boat ramp (off Padman Drive in West Albury) to Horseshoe Lagoon (accessed via the Riverina Highway). You can do the walk in the reverse direction.

I first published THE UNIQUE YINDYAMARRA SCULPTURE WALK IN ALBURY, NEW SOUTH WALES on November 22, 2020. At the time, Albury City Council had announced three new sculptures would be installed in July 2021. So, I knew I would be updating this post within the year.

The first stage of the Yindyamarra Sculpture Walk was completed in December 2014. In July 2021, three new sculptures were added to the trail, and ten painted panels (‘Leaving Our Mark’) were installed along two fences near Horseshoe Lagoon. The contemporary artwork along the Yindyamarra Sculpture Walk has been created by local Indigenous artists telling stories of connection to country and living culture. The sculptures are a celebration of local Aboriginal culture.

Bicycle riders, walkers, and joggers share the predominantly flat, 2-metre-wide sealed path. Dogs on leads are permitted.

Albury, on the New South Wales side of the Murray River (Australia’s longest river), is located in Wiradjuri Country – the traditional lands of the Aboriginal Wiradjuri people.

Yindyamarra is a word from the Wiradjuri language, meaning respect, be gentle, be polite, and do slowly.

I have walked the Yindyamarra Sculpture Walk several times. Refer to the end of this post to know the lessons I have learned from walking the Yindyamarra Sculpture Walk.

A map of a river, lagoon and wetlands showing a walking track and places of interest

Map of the Yindyamarra Sculpture Walk with the locations of the sculptures

 

The Sculptures:

The information provided below about the artists and the story behind the sculptures is taken from the interpretive panels presented at each sculpture site.

Starting the Yindyamarra Sculpture Walk from the Kremur Street Boat Ramp, I will take you on a visual tour of unique Aboriginal art by Indigenous artists along the banks of the Murray River in Albury. I aim to pique your interest enough for you to walk or ride this beautiful path for yourself.

Teaming Life of Milawa Billa

A metal panel with birds, fish, yabbies, turtle and handprints carved on it

Artists: Teaming Life of Milawa Billa (Murray River) was created by the Yindyamarra Sculpture Walk Steering Committee – Daniel Cledd, Robyn Heckenberg, John Murray, Aunty Edna Stewart, and Aunty Muriel Williams.

The Teaming Life of Milawa Billa sculpture signals the commencement of the Yindyamarra Sculpture Walk at the Kremur Street Boat Ramp picnic area. The design draws together significant elements from the natural environment of the Murray River – the birds, the fish, the reeds, and the yabby – telling the story of the health of the river and its cultural significance.

Reconciliation Shield

A metal shield on a pole with black and white figures carved on it

Artist: Tamara Murray. Tamara is a proud member of the Barkandtji tribe on her mother’s side and Yorta Yorta and Dhudaroah tribes on her father’s side.

For Tamara, the Reconciliation Shield represents bringing everyone together – working together, walking together, and living together; to make everything better, especially for the next generation. ‘The figure depicted is holding his hands in a position of submission. Enough is enough – we all need to walk together on this journey of reconciliation.’

Creature Seats

Wooden seats in the shape of animals surrounded by grass and trees

Artists: James Fallon High School. The standing goanna by Liam Campbell (Wiradjuri), the turtle by Sara Jackson Edwards (Wamba Wamba), the snake by Raymond Jackson Edwards (Wamba Wamba), and the climbing goanna by Jaidyon Hampton (Malyangaba).

The students sculpted these creatures under the mentorship of the Aboriginal Men’s Shed and the local community. The students created a space where stories could be told and local animal life could be celebrated.

Guguburra

Three large metal kookaburras with the bush behind them

Artist: Peter Ingram. Peter is a local Wiradjuri man who enjoys making sculptures from metal and many other resources, creating artworks that bring to life country’s ancient stories of creation and lore.

Guguburra is the Wiradjuri word for kookaburra. It is seen as the most beautiful bird (budyaan) in Wiradjuri country, with wonderful attributes and character.

Guruburra is patient and kind. He will often let others before him but will defend his ground if required. He loves to laugh and reminds us to do so each day. He travels in family groups, is loyal, but sometimes ventures out alone to visit a friend and sing them a beautiful song. Guruburra shows us a wonderful way to live our lives – with joy, balance, and patience.

Vertical Message Sticks

Three wooden poles with animals carved on them

Artist: Carmel Taylor. Carmel is a Wiradjuri woman.

The message sticks are a celebration of Carmel’s knowledge of the natural history of the river.

Carmel tells us she chose the theme of animals because she genuinely loves them, and they are native to the Albury area, bringing much joy to children and adults.

Bogong Moth Migration

A metal tree with metal moths attached to the tree

Artist: Ruth Davys. Ruth is a proud Wiradjuri woman.

The Bogong Moth is a creature of cultural significance for Indigenous Australians.

Traditionally, each year the Indigenous people of southern New South Wales and northern Victoria would meet at Mungabareena Reserve (Albury) to perform ceremonies, exchange goods and discuss tribal lore. They would then travel to the high country (Victoria’s Alpine region) to feast on Bogong Moths.

Family Gathering

Flat metal figures sitting in a circle, representing a family

Artist: Michael Quinn. Michael is a locally based Wiradjuri man. Family is very important to Michael. They are his life.

Michael’s sculpture depicts how the family used to gather and represents the importance of the family group – their staying together and connection to the land. The circle represents this unity, and the rocks represent strength and the earth. Thereby, holding the group together.

Celebrate Together

Walk with us on Wiradjuri Country

A decorative metal ball hanging from chains on three poles

Artist: Tamara Murray. Tamara is a proud member of the Barkandtji tribe on her mother’s side, and Yorta Yorta and Dhudaroah tribes on her father’s side. Having lived on Wiradjuri land for 14 years, Tamara tells us her spirit has never been more at peace than it is on this land.

This sculpture sends a strong message to all that we stand, walk and dance on Wiradjuri country. It is a message to Wiradjuri children to hold on to and celebrate their culture as their ancestors have done and are still doing.

The Bigger Picture

A wooden and metal Fram framing a river

Artist: Katrina Weston. Katrina is an Aboriginal person from the Barkindtji/Nyampa tribes.

According to Katrina, the purpose of the oversized picture frame is to see how the landscape changes within the frame over the years to come.

The picture within the frame is a moving, living landscape with many stories to be told and shared. It will bring people together to share traditional stories. The picture frame represents movement and change for Aboriginal people who are evolving to adapt to the ever-changing environment.

Leaving Our Mark

Artists: Various members of Albury City’s Wagirra Team – Curtis Reid, Jarret Trewin, Harry Dennis, Leroy Eggmolesse, Shane Charles, Noel Stewart, Ethan Moffitt, Richard Sievers, Keanu Wighton, and Toby Ardler.

Working on the Wagirra trail, a section of which is the Yindyamarra Sculpture Walk, connected the artists to country and culture. The images are their way of telling their story along the trail.

Goanna

A photo of a concrete sculpture of a goanna

Artist: Kianna Edwards. Kianna is a young Wiradjuri woman from Albury.

Kianna comments, “This Goanna represents one of the main totems for the Wiradjuri Nation. It holds a significant place in my spirit. It’s my totem. My story. My culture.”

‘Maya’ Fish Trap

A photo of a wire, circular fish trap

Artists: Uncle Ken (Tunny) Murray, Darren Wighton and Andom Rendell from the Aboriginal Men’s Shed.

This over-proportioned sculpture is of a funnel style fish trap that was commonly used by the Wiradjuri people in the Albury area. These traps were woven from reeds and could even be customised to trap specific fish as well as allowing smaller fish to escape, thus protecting the species for the future.

Wiradjuri Woman

Artist: Leonie McIntosh. Leonie is a proud Wiradjuri woman.

Leonie’s Wiradjuri Woman sculpture is based on the Possum Skin Cloak design burnt on her Nan’s cloak, which she wore for the opening ceremony of the Melbourne Commonwealth Games in 2006.

Leonie has created a sculpture of Wiradjuri Woman emerging out of this 350 – 400-year-old tree stump – ‘as if a spirit is breaking free’.

Googar

A photo of a large, carved wooden goanna, with a river behind the sculpture

Artist: Darren Wighton. Darren is a community leader of Wiradjuri descent.

‘Googar’ is the Wiradjuri word for ‘goanna’. At 4 metres in length, Darren’s Googar sculpture is a larger-than-life version of a small wooden toy goanna that Wiradjuri children would play with and learn from in traditional times.

Useful information

At the Kremur Street boat ramp, you will find free parking, public toilets, and a picnic area.

A photo of wooden picnic tables and benches on the banks of a river

Picnic area on the banks of the Murray River at Kremur Street Boat Ramp, Albury

 

Horseshoe Lagoon has parking off the Riverina Highway but has no toilets or picnic facilities. It is a couple of minutes walk from the parking area to join the Yindyamarra Sculpture Walk trail.

Albury is a large inland city in New South Wales on the banks of the Murray River – Australia’s longest river. It is 553 kilometres southwest of Sydney via the Hume Highway and 326 kilometres northeast of Melbourne.

A river with trees and clouds reflected in its waters, with ducks swimming in the river and a canoe on the river's edge

The Murray River at Noreuil Park in Albury – a popular swimming spot

 

Lessons learned from having walked the Yindyamarra Sculpture Walk previously:

The first time I walked the Yindyamarra Sculpture Walk was with my sister. We commenced our walk at Noreuil Park and walked to Wonga Wetlands. As the car was at Noreuil Park, we had no alternative but to walk back the way we had come. This walk was a 14-kilometre round trip. By the time we were halfway back on our return journey, we could barely lift our feet and couldn’t talk to each other.

My second attempt at the Yindyamarra Sculpture Walk was with my daughter. We left the car at Noreuil Park (I must be a slow learner) and headed out on the walk. About a kilometre from Wonga Wetlands (6 kilometres walked), my daughter could see I was flagging. So, as you can imagine, I jumped at her suggestion to sit in the shade of a tree while she jogged back for the car. Oh, to be young and fit!

My third walk along the Yindyamarra Sculpture Walk was with two friends. I insisted we have a car at either end of the walk as I had now (finally) learned my walking limitations. On this occasion, we left a car at the Kremur Street Boat Ramp and drove to Wonga Wetlands, where we left the second car and commenced our walk.

A photo of an echidna

An echidna scurries into the bush near Wonga Wetlands

 

When I initially wrote this article (November 2020), I recommended readers to walk between Horseshoe Lagoon and Kremur Street Boat Ramp (or vice versa), with a car at either end. It would seem, in the pursuing months, I have become fitter. On my latest venture along the Yindyamarra Sculpture Walk to take photos of the additional sculptures, I found the 5.6-kilometre loop an easy, enjoyable walk.

What my friends had to say about the Yindyamarra Sculpture Walk:

For those bird lovers out there, one of my friends recommends taking binoculars as there are several species of birds to spot along the walk.

Both friends thoroughly enjoyed the walk (described as a ‘leisurely stroll’ by one), and they commented on the number of birds, wildlife and plants seen along the way. As one friend said, seating along the walk would have been good – to absorb a sculpture, to sit and watch the river flow past, and to contemplate the landscape.

I have walked the Yindyamarra Sculpture Walk several times now and have not tired of seeing the sculptures. My friends felt the sculptures showcased the artistic abilities of the local men and women of the surrounding indigenous tribes while telling their own unique stories.

I, my friends, my daughter, and my sister, recommend the Yindyamarra Sculpture Walk. With the sculptures, the river, and the surrounding bush, it is an exceptional, unique walk. Ride your bike, walk the dog, or not, but see the sculptures for yourself.

 

Editor’s Note: This post was originally published in November 2020 and has been updated for accuracy and comprehensiveness.

 

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain the copyright of Just Me Travel 2021.

 

Comment below to share your thoughts on this blog post. Where else have you seen Aboriginal sculptures that you would like to share with readers?

 

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Related posts

Still on an art theme in Australia, check out the posts below I wrote on the unique silo art in Victoria and New South Wales. They are packed with amazing photos, information, and tips.

> The Complete Guide to Road Tripping Victoria’s Silo Art Trail

> Unique Silo Art Celebrates Local Communities and Fauna

> 3 of the Best Things to See and Do in Rochester

> 5 of the Best Painted Silos in New South Wales

 

Author’s Note: Please check the latest travel restrictions before planning any trip, and always follow government advice.

 

Copyright © Just Me Travel 2021. All rights reserved.

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WALLAWWA – a tranquil luxury boutique hotel in Colombo City [2021 UPDATED]

Wonderful Accommodation in an Oasis of Tranquility in Sri Lanka Wallawwa is luxury accommodation at its best. It is all character and serenity. Read on to see why I recommend…

Wonderful Accommodation in an Oasis of Tranquility in Sri Lanka

Wallawwa is luxury accommodation at its best. It is all character and serenity. Read on to see why I recommend you experience Wallawwa for yourself.

Picture yourself relaxing by the secluded pool and being able to buzz for bar staff to attend to your needs. Imagine playing croquet on the manicured lawns before partaking in complimentary tea and cakes at 3 o’clock on the wide veranda. This was my reality of Wallawwa, a luxurious, boutique hotel whose former life was an 18th-century colonial manor house.

Set in acres of lush gardens scattered with daybeds and couches strategically placed around the main lawn, Wallawwa manages a feeling of intimacy.

Wallawwa’s 18 spacious rooms include two family suites and a two-bedroom suite with a pool. All rooms open onto a secluded veranda and tropical garden. My ‘Wallawwa Bedroom’ was comfortable, cool, and tastefully furnished. There was no missing the magnificent king-sized four-poster bed (twin beds are available). A large, polished concrete-lined bathroom with a rain shower, plush towels, and luxurious toiletries completed the room. The room amenities included tea/coffee making facilities – always a winner for me.

The staff were friendly, efficient, attentive and helpful.

The Verandah is Wallawwa’s open-sided restaurant serving top class Asian cuisine, with much of the produce used in the cooking coming from the hotel’s organic garden. Make sure you leave room for dessert because they are to die for.

For those looking for personal pampering, Wallawwa’s Z Spa offers a collection of relaxing treatments. Unfortunately, my stay at Wallawwa was only one night, and I could not treat myself to one of their signature massages. Next time.

If you must leave this piece of tranquillity, Wallawwa can arrange excursions for you.

Wallawwa, on Minuwangoda Road, Kotugoda, is just a 15-minute drive from Colombo International Airport and 30 minutes to the city.

Rooms start at USD390 per night, including à la carte breakfast.

Wallawwa is one of seven Teardrop Hotels across Sri Lanka. I also stayed at Fort Bazaar (another Teardrop Hotel) in history-rich Galle Fort.

Editor’s Note: This post was originally published in March 2018 and has been updated for accuracy and comprehensiveness.

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored.

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