Just Me Travel – Solo Travel Blogger

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A VENETIAN WALKABOUT

Joanna Rath

August 5, 2020 9:57 pm August 5, 2020

19 min read

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19 min read

How to Spend 5 Days in Venice, Italy – a solo traveller’s perfect self-guided walking itinerary Join me on a leisurely journey around Venice – on a ‘walkabout’. Over four…

How to Spend 5 Days in Venice, Italy – a solo traveller’s perfect self-guided walking itinerary

Join me on a leisurely journey around Venice – on a ‘walkabout’.

Over four days, my self-guided walk led me to some incredible experiences as I strolled through and discovered five of Central Venice’s six districts. On the fifth day, I went island hopping to Murano and Burano.

It is possible not to get lost in Venice if you allow yourself just to wander; with the very occasional “Where am I?” moments. The secret being that Venice has got wise, and everywhere you go there are strategically placed signs pointing the way to St Mark’s Square or Rialto Bridge, both major landmarks. However, I have to confess that I did pull out the map once – in San Polo. I had wandered down so many narrow alleyways that when I entered a tiny courtyard, I didn’t even know which direction I was facing.

Venice is flat. The best way to see it is just to walk. With my camera slung over my shoulder, my favourite walking shoes on, and my trusty guide book in hand, I let my feet and curiosity find the direction.

The starting point for each day’s walk was my hotel, Hotel da Bruno, in the San Marco district. Located at Sestiere di Castello 5726/A – 30122, Hotel da Bruno is ideally located in Venice’s historic centre. For my review on Hotel da Bruno, refer to the section, ‘Where I stayed’ at the end of this post.

As I have taken a different district each day to explore, you don’t have to follow my self-guided walking itinerary per se. This post is a guide, explore what you want, mix it up, or add to the discoveries.

This guide is an updated version of the post, A Venetian Walkabout. Originally Published: January 23, 2018. Updated: August 5, 2020; providing more information and resources.

Let’s walk together. Or step out on your very own walking itinerary.

Day 1: San Marco
Day 2: San Polo and Santa Croce
Day 3: Cannaregio
Day 4: Castello
Day 5: Island hopping – Murano and Burano
When to go
Getting there and away
Where I stayed

Day 1: San Marco

On my first day in Venice, I wandered down alleys, crossed some of Venice’s 400 unique bridges and watched the waters of the canals lap the doorsteps of antique buildings in various states of glorious decay. Everywhere I turned I saw evidence of Venice’s unstable foundations, with lopsided arches and leaning church bell towers. So much to photograph. I have fallen in love with Venice.

Over a coffee in Campo Santa Maria Formosa, I saw canal barges loading the linen from hotels and learned from the waiter it is taken off the islands to the mainland for laundering so as not to pollute the canals.

Taking in my surroundings from one bridge, I witnessed a gondola traffic jam and was thankful I was not playing tourist.

Many open boats jostling for position on a narrow canal

Gondola traffic jam

Multi-storied brick building with external spiral staircase

Contarini del Bovolo Palace

Venturing down a very narrow alley near Campo Manin, requiring me to maneuver through crab-like, I came across an unusual building with the most elegant external multi-arch spiral staircase – the gothic Palazzo Contarini del Bovolo. The staircase, with its ascending rows of round-headed arches, is the only one of its kind found in Venice today. Closed at the time of my discovery, I let my camera do the sightseeing.

Stumbling across Piazza San Marco (St Mark’s Square) for the third time within half an hour, I decided it is time to experience a coffee at the iconic Café Florian in St Mark’s Square. Established in 1720, Café Florian is the oldest café in Venice and claims to be the oldest in the world. At the cost of €15 for my coffee, I knew it was an experience I would not be repeating.

As I wandered around Basilica di San Marco (St Mark’s Cathedral), marvelling at the brilliant mosaics, I wondered at the story of the two merchants from Alexandria in Egypt stealing St Mark’s body and bringing it back to Venice. And then there is the miracle of St Mark’s body reappearing in 1094 after being destroyed by fire in 976. St Mark’s body now lies in the Cathedral’s altar.

I experienced a sense of awe as I watched a fireboat race down the Grand Canal and disappeared into a side canal. My amazement was due to the unusual sight of a ‘fire engine’ being a boat and not a large truck. Later, I witnessed an ambulance maneuver into a narrow canal.

A fire boat on a canal — Venetian fireboat

Ambulance boat on a canal — Venetian ambulance

Day 2: San Polo and Santa Croce

The defined boundaries between San Polo and Santa Croce are not as clear-cut as those of Venice’s other four districts. Hence, their grouping together in this post and many guide books.

Crossing the Grand Canal from San Marco into San Polo via Rialto Bridge, my first stop this morning was Rialto Markets. Markets are a great way to gain an understanding of the local people; providing an insight into the local culture. As I wandered around the vegetable section of Rialto Markets and chatted to the stallholders, I learned the humble tomato is not so ordinary. Firstly, there are 25 tomato varieties in Italy. Secondly, no self-discerning vendor will sell you tomatoes without first knowing what you are cooking. To know it is imperative because they all have a different taste and must accompany the right dish. Only by understanding what you are cooking can the stall owner advise on just the correct type of tomato to use. I have to admit my palate is not up to Venetian tomato standards.

A white mask with open eyes and a long nose

The Plague Doctor Mask I bought from Tragicomica

Walking past San Giacomo di Rialto’s 15th-century 24-hour clock and through Campo San Polo, I found the shop Tragicomica on Calle dei Nomboli, San Polo 2800, which my research at home before leaving for Italy told me it sold traditional Venetian masks. The shop was crowded – with masks – and I wondered how I was ever going to find that special mask with my name on it. After a lengthy chat with Tragicomica’s artisan Mask Maker about the different types of masks and the history behind the masks, I bought an authentic Venetian, paper-mache Plague Doctor Mask, with its long beak-like nose. The beak was filled with herbs to protect the doctor from the plague.

Sitting in a café opposite the rear of Santa Maria Gloriosa dei Frari, a large Gothic church commonly known as the Frari, I spent a pleasant hour just people watching. Even though Eyewitness Travel (Venice) describes the interior of the church as “striking for its sheer size and for the quality of its works of arts”, I did not venture inside. Instead, I wandered around the church’s exterior taking photos. The front of the church was very plain while the rear was much more impressive architecture.

Exterior of large brick church in gothic style with many windows

Rear view of the Gothic church, Santa Maria Gloriosa dei Frari

Lunch today was at Pizzeria Cico in Campo San Polo. The food was edible but ordinary, and the Square was plain but great for people watching.

Day 3: Cannaregio

Today was my longest walk – 1.6 kilometres (1 mile) from my hotel, via Strada Nova to the Jewish Ghetto in the Cannaregio district. The walk took me longer than the said 21 minutes because I kept stopping to explore different areas, admire the architecture, and take photos. And I had to stop for a coffee!

The Campo di Ghetto Nuovo, in the heart of the Jewish Ghetto, is a small, pretty Square with compelling monuments to the holocaust. Very tall buildings, unique in Venice, characterise Campo di Ghetto Nuovo. The tall buildings are due to the Jewish population being confined to a tiny area 500 years ago to segregate them from Venice’s Christian population. As the Jewish community grew and needed more housing, the only way was up.

The Ghetto’s five synagogues, unrecognisable from the Square, date back to the 16^th century. Through the Jewish museum’s guided tour, the only way possible to see these hidden treasures, I discovered three of the five synagogues on the top floors of buildings – the French, German and Levantine, each representing a different ‘school’.

Back in Campo di Ghetto Nuovo, I contemplated the Holocaust memorials depicting Nazi brutality to the Jews during the Second World War.

The Holocaust Memorial on the brick wall in Campo di Ghetto Nuovo, created in 1980, comprises of seven bronze bas-relief plaques depicting deportation, Kristallnacht (the Night of Broken Glass), the quarry, punishment, execution, the Warsaw Uprising, and the final solution. Nine years later saw the addition of another memorial, the Deportation Memorial, also called “the Last Train”. Carved on the wooden boards behind the Deportation Memorial is the name and age of each victim who was deported.

Bronze plates on a brick wall — Holocaust memorial wall plaques

Plaque showing people boarding a train by armed soldiers. Names of victims inscribed on wood behind the plaque. — Holocaust ‘Deportation Memorial’

Before the long walk back to my hotel, I had lunch at GAM GAM Kosher Restaurant. GAM GAM is located opposite the main entrance of the Jewish Ghetto on the Canale di Cannaregio – a great place to people-watch while enjoying a leisurely meal. I couldn’t resist ordering the house speciality, ‘Israeli Appetisers with Falafel’, served with the most delicious Italian bread. I was not disappointed and can honestly say this was the best meal I had in Venice.

With my feet crying ‘enough’, I took a traghetto (pedestrian transport) across the Grand Canal, alighting near Rialto Markets. Traghetti are cheap ‘pedestrian’ gondola ferries that just cross the Grand Canal from one side to the other. There are several points along the Grand Canal where you can pick up a traghetto. A traghetto will cost you (the tourist) 2 euros, while residents pay 70 cents. The crossing is so short that locals usually stand up in the traghetto. I sat! I didn’t trust my balance well enough not to end up in the Grand Canal. Did I save any walking distance? Probably not! But for about 6 minutes there, I felt like a real local and knew I had experienced something unique as tourists don’t usually use this mode of transport.

A traghetto (pedestrian transport) crossing the Grand Canal

Day 4: Castello

From my hotel, a 15-minute walk this morning took me to the Arsenale in the Castello district. While primarily disused today and, except for exhibitions, closed to the public, the Arsenale was once the greatest naval shipyard in the world. A whole galley, using an assembly-line process, would be constructed in 24 hours. Two massive lion statues (the symbol of Venice) guard the gate to the Arsenale. Venice’s maritime past can be viewed in all its glory at the Naval History Museum, near the Arsenale. I found naval personnel a common sight around the Castello neighbourhood.

The Arsenale

The largest of Venice’s six districts, Castello was a lovely area to walk around and lacked the tourist crowds found in neighbouring San Marco. My wandering took me to Via Giuseppe Garibaldi. Lined with restaurants, bars and cafés, Via Giuseppe Garibaldi is Venice’s widest street due to it being a filled-in canal. Feeling hungry, I stopped for a sandwich and coffee at Hopera Coffee and Bakery on Via Giuseppe Garibaldi.

Heading back towards Piazza San Marco, as I crossed Ponte Canonica, I saw for the first time Venice’s most famous and only covered bridge, the Bridge of Sighs (Ponte dei Sospiri). This little Baroque bridge spans the canal, Rio di Palazzo, between the New Prison in the Castello district and the Palazzo Ducale (Doge’s Palace) in the San Marco district. From Ponte Canonica, I had an uninterrupted view of the Bridge of Sighs for my camera to record the moment.

The Bridge of Sighs

After a coffee and people watching from Ristorante Carpaccio on Riva degli Schiavoni, Venice’s most famous promenade, I took a tour of the Doge’s Palace and the New Prison. The tour included crossing the Bridge of Sighs. Walking across the Bridge, I sighed, just as legend has it that the prisoners did when they crossed the Bridge from the interrogation rooms in the Doge’s Palace to their cell or execution in the New Prison. Catching their last glimpse of Venice through the Bridge’s windows, they sighed, knowing they would never walk back the other way. I learned Casanova was the most famous person to have crossed the Bridge of Sighs on his way to his prison cell, from which he later escaped.

Close to my hotel was a gelato shop, Gelatoteca Suso, on Calle de la Bissa. Before heading back to my hotel, I decided I would try a gelato because everyone I met raved about Venetian gelato and this shop in particular. I am not a big ice cream fan, and this experience did not convert me.

Day 5: Island hopping – Murano and Burano

Before embarking on my trip to Venice, I had decided there were two things I wanted to buy – a Venetian mask and Murano glass jewellery. Having bought my Doctor Plague Mask in the San Polo district on day 2, I had that item crossed off my shopping list. Now I needed to concentrate on finding that right piece of Murano glass jewellery. The best way to do this was to go to Murano. So, I took a day tour of Murano and Burano islands. Located in the UNESCO World Heritage Venetian Lagoon, both islands are a short distance from Venice; with Murano being the closest.

Taking a private boat across the Lagoon, our first stop was Murano. Murano is world-famous for its glassmaking and has been since 1291. At this time, there was a forced removal of all the Venetian glassmakers to Murano. Woe betide the glassmaker who tried to leave the island. Any attempt to leave the island would result in severe penalties, including death. The tour included a visit to a glassmaking workshop and a demonstration by the in-house glass artisans. I always feel it is a privilege to watch artisans engaged in their craft. We were given free time following the glassmaking demonstration to shop and explore the island on our own.

Glassmakers working at their craft at a glassmaking factory on Murano

I was now on a mission – to find that piece of jewellery with my name on it (figuratively speaking). I looked through the showroom attached to the glassmaking workshop, but the jewellery was too glitzy, too fussy for my taste. I was not able to access other showrooms (in the hope of finding something more to my liking) as it is only possible to go into a showroom with a tour. With some free time still available, I tried my luck at small, individual jewellery shops. But they offered nothing better. I expressed my bitter disappointment to the tour guide. She offered to take me to a boutique jewellery shop on Burano, where I should find Murano glass jewellery more to my ‘no bling’ taste. Read on to find out why I will be forever grateful to this guide.

Leaving Murano, we motored to Burano. Burano is primarily a fishing village but is famous for its brightly coloured houses and handmade lace. After a lacemaking demonstration, my guide took me to the shop, Alessandro Tagliapietra Murano Glass Jewels. The owner of this small jewellery shop only sells what he makes. I had a lovely time choosing several pieces of handmade Murano glass jewellery – necklaces and earrings. So, I bought my Murano glass jewellery on Burano – go figure! Now totally satisfied, I wandered around Burano taking photos of the canals and coloured houses, chatting with the locals and discovering the 17^th-century leaning bell tower.

Coloured house with hanging baskets of flowers and bicycle in front — Burano’s brightly coloured houses

Brightly coloured houses beside a canal — Burano’s brightly coloured houses

Coloured glass necklaces and earrings — The Murano glass jewellery I bought on Burano

There ends my self-guided, 5-day walking tour of Venice. Where will your feet take you?

When to go

I was in Venice in early May. According to the World Weather Organization, the average daytime temperature in Venice in May is 21.5^OC (70.7^OF), and the average number of rain days is 8.2.

The week I was in Venice, the daily temperature was around 23^OC, but felt warmer. Perhaps all that water increases the humidity?

Being my first visit to Venice, and from what I had read, I expected tourists to be inundating Venice. I was pleasantly surprised by the reality of crowds in May. Sure, there were many tourists around St Mark’s Square and Rialto Bridge, but in most other areas, I was virtually on my own.

In my opinion, May is an ideal time of year to visit Venice. Not too hot, not too cold, little chance of rain, and limited crowds.

Getting there and away

My time on my own in Venice followed an 8-day river cruise on the Po River. As such, I had two arrivals in Venice – the first at Venice Marco Polo International Airport and the second, at Venice’s pier Marittima 123 (where most cruise ships dock).

I first arrived in Venice, at Marco Polo Airport, on a flight that was 36 hours delayed. Consequently, I had missed my pre-arranged private transfer from the airport to the ship. As a result, I took the Alilaguna water bus (vaporetto) Red Line (Linea Rossa) service from the airport to the Arsenale stop (the closest stop to the ship). Catching public transport proved to be very easy; leaving me wondering why I had organised a private transfer in the first place. The Alilaguna water-bus Red Line runs only from April to September. I was in Venice in May. See Alilaguna for lines and timetables throughout the year.

My second arrival in Venice was at pier Marittima 123. From a nearby canal, I took a water taxi to my hotel (Hotel da Bruno); as opposed to the vaporetto. The travel guide, Eyewitness Travel, describes the water taxis as a means of transport for those short on time and with lots of money. While I was neither time-poor nor wealthy, I baulked at the thought of managing my bags through the crowds around Rialto Bridge; especially as I was unsure how far the hotel was from the Rialto stop. So, a water taxi it was! Ninety euros later, the water taxi dropped me off at the canal beside my hotel. I won’t do that again! Knowing now how easy it was to get around Venice by vaporetto, I will be catching public transport on my next visit to Venice.

From Venice, I took the train to Rome. A friend had advised me to allow one and a half hours to get from my hotel to Venice’s Santa Lucia train station. I don’t know how my friend managed to take so long to get to the train station because it took me half an hour maximum. The trip time included walking from my hotel to the Rialto vaporetto stop on the Grand Canal and catching the vaporetto to the train station, also on the Grand Canal. Dead easy!

Where I stayed

I stayed at the Hotel da Bruno for my five nights in Venice. This hotel is all about location, location. Being only a 5-minute walk to Rialto Bridge and a 6-minute walk to St Mark’s Square), it is well-positioned to explore all Venice has to offer on foot.

However, I was bitterly disappointed with my room. I had booked a single room and was shocked when I saw it. My room was no bigger than a broom closet. It was dark and dingy, with outdated, tired furniture. The view from my window was that of the air shaft. Not a place I wanted to be! I tried to upgrade to a double room, but there were none available. Hotel da Bruno’s only saving grace was its location.

Would I stay again at Hotel da Bruno? Yes. But I would ensure I had a double room. As the saying goes: Better the devil you know than the devil you don’t! And location, for me, is paramount.

If you like this post, PIN it for keeps

A covered bridge over a canal with open boats on the canal

Buildings on a canal with a man standing to row an open boat on the canal

Small boats on a canal with brightly coloured houses on the embankment

Open boats on a lagoon with a church on the opposite bank

A plaque in the wall in a small courtyard with trees and houses behind the courtyard

For more on Italy, read: “The Sassi di Matera – from national shame to cultural showcase”

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain the copyright of Joanna Rath.

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19 min read

Travel Tips, Info and Resources

GET CREATIVE WITH YOUR HOLIDAY PHOTOS

Joanna Rath

June 29, 2020 4:49 pm June 29, 2020

19 min read

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19 min read

What can I do with my holiday photos? 15 creative ideas to revisit your favourite holiday destination anytime. Discover 15 creative ideas for projects you can undertake to get your holiday…

What can I do with my holiday photos? 15 creative ideas to revisit your favourite holiday destination anytime.

Discover 15 creative ideas for projects you can undertake to get your holiday photos out of the dark. Create a photo book, a jigsaw puzzle, a calendar, a slideshow, and so much more. Like the cushions on your couch, the rug on your floor, make your holiday photos a part of your everyday visual content.

Do you have hundreds, thousands of holiday photos that just sit there on your computer, tablet, and/or phone? It’s time to get creative with those holiday photos; to get them out of hiding and do something productive with them so you can enjoy them and share them with others.

But first, you need to organise your holiday photos so you can easily find them. Then jump right in and have a go at one, two, three, or more of the 15 creative ideas in this post.

Use these quick links to jump straight to different creative ideas in the post:

Organise your photos
Cloud storage and sharing
Post and share on Facebook
Post and share on Instagram
Create a photo book / Coffee table book
Create a calendar
Create a photo ‘flip’ book
Make a photo wall
Transform your favourite holiday photo into a jigsaw puzzle
Turn your holiday photos into a movie
Create a slideshow
Keep a holiday diary
Turn your holiday story and photos into a printed book
Start a photo blog
Sell your holiday photos
Showcase on the web
Print on clothing, coasters, etc

Organise your photos

This might seem obvious but it is a critical step if you want to find your photos again.

So often I have had people scroll through the photos on their phone looking for a specific photo to show me. By the time they have found the photo, I have lost interest in seeing it. Sound familiar?

Let me set the scene. You have a photo on your phone that you want to share on Instagram. You have never taken the time to sort your photos into meaningful ‘albums’ in your ‘Photos/Gallery’ app. You have hundreds of photos on your phone. You now spend 50 minutes scrolling through all your photos looking for that ‘one’. Do you still want to post on Instagram?

Heaven help you if the photo you want has been taken with a camera and has been uploaded to your computer or tablet. All you get is a file number, which you need to click on to see the photo. This is even more time consuming that scrolling through photos on your phone. At least on your phone, the photo is immediately presented.

The moral of the story is, if you want to get creative with your holiday photos, then you need to organise your photos. Like a filing cabinet. It will save so much time later on.

This post now assumes 2 things:

You have chosen the photos you want to use; and
You have applied some editing techniques (optional) to your photos.

This is not a ‘how-to’ post. That is, it is not about ‘how to post’ photos on Facebook or Instagram; it’s not about ‘how to make’ a photo book or calendar; it’s not about ‘how to develop’ a website; and so forth.

This post is about planting the seed; about posing ideas for what you can do with your holiday photos.

As well as storing your photos directly on your own personal device (eg, the hard drive on your computer or laptop, or your phone), you can store them in the “cloud”. Cloud storage involves storing your files remotely on servers owned by companies and made accessible to you from any device, anywhere that has an internet connection. This is a safe means for backing up your photos.

I am an advocate for backing up photos. Think about how you would feel if you lost all your photos because your computer, laptop, tablet, or phone crashed and that was the only place you had your photos stored.

There are many cloud storage service providers. Perhaps the best known (because they are the only ones I know of) are, Dropbox, iCloud, Google Drive, which gives you access to Google Photos, and Microsoft OneDrive.

All of these cloud storage service providers offer free file storage at varying degrees of limitations. They are available using various Operating System platforms, across different devices, for example, Windows, Mac, iOS, Android. To share your holiday photos with family and friends, simply send them a link via email or text.

Share your holiday photos with family and friends on Facebook – a website that allows users to socially network with other people online. Once you have created a free Facebook profile, you are then able to share your holiday photos with family and friends.

Broaden your sharing horizons and join travel photography groups on Facebook.

Facebook is available on any device with an internet connection. Because Facebook is web-based, as long as you have internet access, you can post your holiday photos while you are travelling; not having to wait until you get home

Instagram is a free app for sharing your holiday photos. Unlike Facebook, which is multi-faceted, Instagram is photo-centric and mobile-centric. The Instagram app is available on Apple iOS, Android, and Windows phones.

Once you create an Instagram account you can upload your holiday photos and then have the option to share them with a select group of friends who also have an Instagram account, or with people who have chosen to follow your account.

Create a photo book / Coffee table book

A soft toy green frog reading a book of photographs

Pixabay free stock images

A photo book is a great way to share your special holiday memories in a printed format. A photo book is a compilation of your chosen photos that create a visual story. While the photos are the primary message, you can add text to complement the story.

An internet search for photo book services/makers is overwhelming for choices. My search of the 5 best photo book services/makers in the USA, UK, and Australia showed ‘Snapfish’ to be the only one appearing on all 3 lists. I have used Snapfish, but only for making a birthday card and printing a photo on a mug.

With so many photo book services around, how do you choose the right one for you and your photo book project? How do you know what you should take into consideration? ‘Choice’ is a highly credible, unbiased, and well-respected product and service review organisation in Australia. They have published an article that you may find useful …

How to find the best photo book service: Our expert guide to price, comparing services, design and tips to build the best book.

If you have Adobe Lightroom, you can make a photo book in the Book Module and have it printed by Blurb.

Suzi Pratt, in her blog post for the Digital Photography School, “8 Ideas of What To Do With Your Vacation Photos“, writes:

Some photos simply pop and look better when they’re physically printed in book form. Consider putting together your top vacation photos and getting them printed via a service.

I recently used Zno and was impressed with their high-quality printing and the fact that the images lay flat without the book gutter running through them. Another service called ChatBooks is a little more automated and can sync your Instagram or Facebook photos into a book design for printing.

Having created the photo book of your favourite photos from your holiday, don’t hide it away in a cupboard or tucked into your bookcase. Keep it on your coffee table so you, your family and friends can enjoy those photos at will. You might be surprised as to just how many people will pick up and browse through your photo book.

Create a calendar

One month of a calendar with a single photo of Aboriginal people painted on silos — Calendar example created in Canva

One month of a calendar with photos — Calendar example created in Snapfish

A calendar makes a beautiful photo gift for yourself, family, and friends. And practical too! I had so much fun creating these two calendars as examples to show you.

You only need the free version of Canva to create a calendar.

There are several products you can create in Canva where you can then place a print order, and have it delivered straight to you. Calendars, unfortunately, is not one of those. Save your calendar and find a printer to bring your creation to life.

The bonus with using Snapfish to create your calendar is the ability to create, order, and pay all online within their website. It will then be shipped straight to you.

There are many online options available for creating a calendar from your holiday photos.

Create a photo ‘flip’ book

I saw this idea using postcards, but don’t see why it wouldn’t work just as well with photos. To make the photos more durable to much handling, you could laminate them.

To create a photo flip book, print your favourite holiday photos (with a flip book for each separate holiday); punch a hole or two in each photo; and then ‘bind’ them together with a split ring or, better still, with a hinged ring.

Like your photo book, don’t then hide your flip book in a cupboard, but leave it lying around on your coffee table.

Make a photo wall

A section of my photo wall

Create a photo gallery on a wall in your home – a photo wall. This is a fun way to showcase your favourite holiday photos and creates a talking point when visitors come to your home.

I see a photo wall comprising of that one photo from each holiday that ‘speaks’ to you; that sums up your holiday; the one that captures the ‘heart and soul’ of your holiday. The one photo that tells the whole story of your holiday experience.

How you display your photos on your photo wall is entirely up to you – framed; printed on tiles, glass or canvas; or just stuck on the wall. Let your decorative style take hold.

Transform your favourite holiday photo into a jigsaw puzzle

Photo of a jigsaw puzzle inside a box — My Christmas present received December 2018

An unfinished jigsaw puzzle on a table — June 2020: My progress 18 months later

For Christmas 2018, my adult children had one of my photos from my trip to Morocco transformed by Jigsaw Puzzles Australia into a 1000 pieces jigsaw puzzle.

I was thrilled with this present. However, there has been many a time that I have cursed them because they probably chose the hardest photo for a jigsaw. As you can see from my progress photo above, I still have not finished it 18 months later. Even so, I advocate this creative idea as a gift for yourself, family, or friends.

Once you have completed your jigsaw, you can have it mounted and framed and hang it on your wall.

An internet search of, for example, “personalised jigsaw puzzles”, “turn photos into jigsaw puzzles”, will reveal numerous services for you to choose from. Refine your search by adding your country, for example, “personalised jigsaw puzzles australia/uk/usa/nz” etc, to localise your search and make it more relevant.

Snapfish, that seemingly worldwide photo products maker, also makes custom jigsaw puzzles from your photos. Dead easy to create yourself and have shipped to you.

Turn your holiday photos into a movie

DVDs of the movies I have made of my holiday photos

Would you like to watch a movie of your holiday on your television?

For those of you with an Apple device, you can create a movie of your holiday in iMovie that includes adding background music and narration (voice-over). Once created and saved (exported), you can stream your holiday movie on your television.

There are several ways you can share your holiday movie project: email, YouTube, Prepare for Facebook, and File. On an iPhone and iPad, you will have additional sharing (exporting) options, including AirDrop, YouTube, Messages, and Mail.

I have created 6 movies from my photos in iMovie and have been thrilled with the results. I burn my movies to DVDs. When there is nothing worth watching on TV, I will put one in the DVD player and give in to nostalgia. There’s something special about seeing the places you have been to on the big screen.

I have done some trips with family members. I plan to create movies from those trips in iMovie and upload them to YouTube to share with them.

Don’t have an Apple device? An internet search of “software similar to imovie for pc” presented many options that could be worth trying.

Create a slideshow

Like movies, slideshows are a great way to present your favourite holiday photos. You can create a slideshow in Adobe Lightroom’s Slideshow module. However, unlike iMovie, you are not able to narrate your slideshow.

You can use any video editing program for creating a slideshow of your holiday photos. However, viable options include:

Google Photos. There is no recording option (narration) for a movie slideshow in Google Photos.
Windows 10. You will need the updated version of Windows 10 (above 1809) to access the ‘video editor’ (the free app in Windows 10).
Microsoft PowerPoint. Export your slideshow as a video file (.mp4) and you can upload it anywhere, for example, Facebook; YouTube.

With all of these options, you can apply time duration, transitions, effects, and background music.

I had fun creating a slideshow with Pholody. To get the benefit of all the features of this free online slideshow maker, use Google Chrome. Once created, your slideshow is downloadable as an mp4 video file and shareable.

By using your Google account, you can create your own, free YouTube account. Thus, enabling you to stream your holiday slideshow on your TV and (depending on your privacy settings) share it with family and friends.

Keep a holiday diary

One of the best ways to revisit your holiday is to keep a holiday diary; making daily entries and uploading photos as you go. By using an online diary, the friends and family you share the link to your diary with, can read it and see where you are and what you are doing as you update it.

There are many online travel diaries available. Initially, I used the app, TravelPod. When it closed in 2017, I did a lot of research looking for another free alternative that would appeal to me and meet my needs. After reading many reviews on several alternative apps, I chose Travel Diaries, and haven’t looked back.

Travel Diaries is easy to use, and editing is a breeze. I can customise my diaries, add as many photos as I want, and include location and route maps. I share my ‘Travel Diaries’ entries with family as I travel.

Turn your holiday story and photos into a printed book

My travel diary book

Take your holiday diary and photos one step further and turn it into a printed book.

When I was using TravelPod, I had one of my travel diaries made into a printed book. I often get this book out and get great pleasure out of revisiting my holiday through my words and photos. There is something special about holding a physical book.

With Travel Diaries, you can order your completed diary as a printed book from within the app.

Start a photo blog

Suzi Pratt, in her blog post for the Digital Photography School, “8 Ideas of What To Do With Your Vacation Photos”, writes:

One of the best ways to recap your vacation is to make a blog post, combining photos with stories and words to give it more context. Don’t have a blog? No worries! It’s very easy to create a free blog on sites like WordPress. If making a blog sounds like too much, Adobe Spark offers a free, very intuitive format for quickly creating a travel blog of words and photos.

Sell your holiday photos

Turn your holiday photos into money.

My internet search found the following services were the most frequently identified top places to sell your photos online: Shutterstock; Alamy; Adobe Stock; and 500px.

Alexandra Bateman (March 18, 2020) at Envira Gallery shares the top 11 best places to make money selling your photos online. This article is not just a list but provides detailed information on each suggested option.

A good place to start if you are looking for free options include:

Picfair – Sign up for free. You create your store, upload your images & name your price. Picfair does everything else – produce and send a print to the customer or handle the license for a purchased download. You can upgrade to Picfair Plus (at a cost), which gives many additional features and more customisation options.
With Zazzle, you join as a designer – it’s free. Upload and sell your photos on hundreds of their products without the hassle of fulfilling orders or dealing with customer service.

I have not, as yet, progressed to selling my photos online. But this is something I regularly give serious consideration to. I particularly like what I see on the website of TourPhotos because it is a platform specifically for tourists and travel photographers to sell their photos online to travel agencies, tour companies, and the general public.

Showcase on the web

Create a web gallery for your holiday photos. Sound scary? Not really! Google Photos (discussed at the beginning of this post) is a web photo gallery program.

Flickr is one of the most widely known photo-sharing social networks. And it has free image hosting. You can set up your privacy options to share with everyone or a selected audience.

Or, you can build your own website. Become a photo blogger. The following article from ‘Envira Gallery’ shows you how to set up a photo gallery website with WordPress:

How to Create a Photography Website in WordPress (Step by Step). A beginner’s guide to creating your photography website in WordPress. Learn how to add your photos and make money with your website.

Creating a specific website is a great option if you want your holiday photos to be visible to everyone who lands on your page.

Print on clothing, coasters, etc

One of my photos printed on a coffee mug

Creative ideas for using and sharing your photos is only as limited as your imagination. With so many apps and services available, your photos can be printed on a wide range of products

Suzi Pratt, in her blog post for the Digital Photography School, “8 Ideas of What To Do With Your Vacation Photos”, writes:

Thanks to printing companies such as Zazzle, you can print your photos on a wide range of objects. T-shirts, magnets, and mugs might seem like traditional items on which you tend to find custom printed photos. But did you know that your photo can be printed on an iPhone case, blanket, pillow, bathmat, Zippo lighter, playing cards, and even a skateboard?

Snapfish is certainly worth a look at as they have so many products you can choose from to print your holiday photos on – mugs, drink bottles, coasters, stubby holders, phone cases, pencil cases, keyrings, dog tags, playing cards, cushion covers, fridge magnets, blankets mousepads, shopping bags, Christmas decorations and more.

I have a coffee mug with my favourite elephant photo on it (pictured above). I rather fancy printing a couple of my favourite holiday photos on some cushion covers.

If you have any questions or are interested in knowing what tools I use, send me an email <joanna@justme.travel> or leave a comment.

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A collage of 4 different photos - a waterfall, a dinning room, silo art and houses on a canal

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. Unless specifically stated, all photos are my own and remain the copyright of Joanna Rath.

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4 min read

Africa Benin Photo Stories Postcards to Home

BENIN CELEBRATES VOODOO DAY WITH AN AMAZING JOYOUS FESTIVAL

Joanna Rath

March 31, 2020 1:49 pm March 31, 2020

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4 min read

AN ANNUAL EVENT NOT TO BE MISSED Dear Ryan, Voodoo Day in Benin falls on January 10 each year and is a national holiday celebrating the country’s heritage of the…

AN ANNUAL EVENT NOT TO BE MISSED

Dear Ryan,

Voodoo Day in Benin falls on January 10 each year and is a national holiday celebrating the country’s heritage of the West African religion of Voodoo (or Vodoun as it is known in Benin).

My trip to West Africa was coordinated around attending Benin’s Voodoo Festival in Ouidah.

Ouidah is regarded as the birthplace of Voodoo, which is one of Benin’s official religions. It is probably one of the most misunderstood religions in the world. I have to admit it was curiosity that fed my travel plans to include the Voodoo Festival in Ouidah. I wanted to witness this annual celebration of Benin’s heritage and traditional culture, and to experience a unique festival.

My participation at the Voodoo Festival commenced with a visit to Ouidah’s Temple of Pythons – home to some 60 pythons. They are said to be docile, which was just as well because they are free to roam. The pythons are a major symbol for followers of Voodoo. They are not feared but are revered and worshiped. It was here, through a break in the trampling crowd, that I momentarily sighted the Voodoo Pope who had come to pay homage at the Temple of Pythons.

Black men in colourful dress — Voodoo Pope (man in blue) at the Temple of Pythons in Ouidah, Benin

Several large snakes coiled together on the floor — Some of the 60 pythons in the Temple of Pythons in Ouidah

A group of black women in colourful dress

Women Voodoo followers at the Temple of Pythons in Ouidah, Benin

From the Temple of Pythons, the Voodoo Pope led a procession along the historical, 3-kilometre Slave Road to the ‘Door of No Return’ (of slave trade infamy) on Ouidah’s beach along the Atlantic coast. It was here, on this stretch of sand, that the celebrations of the Voodoo Festival truly got underway.

And what a celebration!

Once the dignitaries’ speeches were completed (this took over an hour), it was all action. The Voodoo Pope, whilst hidden within a circular wall of blue plastic away from public view, sacrificed a goat to appease the spirits and Voodoo gods. Animal sacrifice is a fundamental element in Voodoo. No Voodoo ceremony is worth its salt without an animal sacrifice in exchange for favours from the spirits.

Immediately following the sacrifice, the Voodoo Pope made his way to his throne, which was placed in the shadow of the Door of No Return. I say ‘throne’ because the festival hosts referred to him as, “His Majesty the Pope”.

With the Voodoo Pope seated, the atmosphere changed. The speeches gave way to vibrant displays of dancing and the throbbing of drums. I witnessed ‘exorcisms’ in which a seemingly possessed person would run away from a group of people; to be caught, dragged to the ground, and have powder sprinkled over him. The crowd became particularly excited when coloured haystacks appeared, spinning around the grounds. I learned these ‘haystacks’ are Voodoo spirits known as Zangbeto and are the traditional Voodoo guardians of the night – the Nightwatchmen. They are the unofficial police force and dispensers of justice. I did not envy the human police who battled to keep the crowds from encroaching on dancers and Voodoo spirits.

So much was happening in different areas of the Festival grounds that I didn’t know where to stay or where to go next; what to watch (fighting the crowds to do so) or what to move on from. This went on for a couple of hours until I decided it was time to sit down and people watch.

Overall, the celebrations taking place at the Voodoo Festival in Ouidah was a hive of activity in which people would swarm from one dance display to another. The Festival was dominated by a kaleidoscope of colour from the attire worn by attendees, and a cacophony of noise from the frenzied pounding of drums. The crowd was buzzing. [Sorry about the bee analogies but that’s exactly how it was.]

But, perhaps the best way to describe the Voodoo Festival is to share some photos with you.

An African man in a grass skirt and covered in yellow paste dancing in front of a crowd

Black man dressed in coloured skirt and covered in white powder dancing in a crowd

Black man in multi-coloured skirt and covered in white powder

A group of black women in colourful clothing dancing and black men playing drums

This was a never to be forgotten experience.

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Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain a copyright of Joanna Rath.

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21 min read

Australia Destinations Oceania

AMAZING SILO ART – powerful connections of people and landscapes

Joanna Rath

January 3, 2020 10:00 pm January 3, 2020

21 min read

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21 min read

Take a road trip with a difference – travel along the Silo Art Trail in Victoria, Australia. See how disused grain silos have been transformed into unusual, towering art canvases….

Take a road trip with a difference – travel along the Silo Art Trail in Victoria, Australia. See how disused grain silos have been transformed into unusual, towering art canvases. Each canvas is unique, with murals reflecting the people, landscape and culture of the community in which they appear.

Empty grain silos are scattered around rural Australia. Silo art projects (with the first being undertaken in 2015) have become a national phenomenon; appearing in Victoria, New South Wales, Western Australian, South Australia, and Queensland. The silos provide a canvas for creations that are reinvigorating some of Australia’s smallest and most remote regional towns. They have become a lifesaver for rural communities; bringing tourism to towns that have been seriously struggling due to economic decline. These towns now have a future.

Perhaps the best-known silo art project is the painted silos in Western Victoria; in the Wimmera Mallee region. Here, there are 6 painted silos stretching for a distance of 200 kilometres from Rupanyup in the south (if coming from Ballarat, as we did) to Patchewollock in the north. This is the Silo Art Trail.

My sister and I took a 12-day road trip around parts of Victoria at the end of April – from Albury to Bendigo, to Ballarat, to Hopetoun, to Sea Lake, to Rochester, and back to Albury. The road trip deliberately incorporated the Silo Art Trail in the Wimmera Mallee region as I had read so much about it and had a strong desire to see the murals for myself. This desire was heightened after visiting the silo art in North-East Victoria.

Silo Art Trail

The Silo Art Trail is Australia’s largest outdoor gallery. The trail stretches over 200 kilometres in Victoria’s Wimmera Mallee region; linking the towns of Rupanyup, Sheep Hills, Brim, Rosebery, Lascelles, and Patchewollock.

Silo Art Trail map, Victoria. Courtesy of Yarriambiack Shire Council, at http://siloarttrail.com

Providing an insight into the true spirit of the Wimmera Mallee, the trail recognises and celebrates the region’s people through a series of large-scale mural portraits painted onto grain silos, many of which date back to the 1930s.

The national and international artists whose murals appear on the silos spent time visiting the region and meeting the locals before transforming each grain silo into an epic work of art; with each mural telling a unique story about the host town.

The level of detail the artists have achieved in their murals is impressive. Something I find astonishing given the scale of the artworks. How do you create such fine detail with an aerosol can?

The Silo Art Trail was conceived in 2016 after the success of the first artwork in Brim. What started as a small community project by the Brim Active Community Group to save their town from extinction, resulted in widespread international media attention and an influx of visitors to the region and the idea for the trail was born.

The Silo Art Trail was created as a partnership between Yarriambiack Shire Council, international street art agency Juddy Roller, the Victorian Government, and the Australian Government; with the silos donated by GrainCorp as canvases for the artists’ works.

Whether in a car, motorhome or towing a caravan, parking is not a problem at any of the silos.

Why you should visit the Silo Art Trail

This is street art at its best.
The murals are painted on unusual canvases.
The silo artworks are in public spaces; in outdoor galleries that are open 24 hours a day / 7 days a week. And they are free to visit.
It is artwork on a massive scale. How many paintings do you know that require an extended cherry picker to complete?
The murals painted on the silos depict local community members; giving an insight into the area.
Grain silos have been ‘painted’ on Australia’s landscape since the 1920s.
The Silo Art Trail is Australia’s ultimate road trip.

Getting there

While the trip can be done in any direction, I am going to take you from Rupanyup in the south to Patchewollock in the north – the direction we took on our road trip.

From Melbourne to Bendigo is 151 kilometres (94 miles; approximately a 2-hour drive). From Bendigo to Rupanyup is 169 kilometres (105 miles; approximately a 2-hour drive)

From Melbourne to Ballarat is 112 kilometres (69 miles; a 1-hour and 39-minute drive). From Ballarat to Rupanyup is 177 kilometres (110 miles; a 2-hour drive).

As you can see, it is really neither here nor there as to whether you arrive in Rupanyup from Melbourne via Bendigo or via Ballarat. My preference would be to travel via Bendigo, an historic gold mining town with some of the best food we had on the whole road trip. Historic Bendigo Pottery is worth a visit. Don’t miss Bendigo Pottery’s museum.

Other helpful distances:

> From Bendigo to Patchewollock is 284 kilometres (176 miles). Allowing 30 minutes at each mural, the trip would take approximately 6 hours, 11 minutes.

> From Ballarat to Patchewollock is 332 kilometres (206 miles) allowing 30 minutes at each mural, the trip would take approximately 6 hours, 42 minutes.

> From Patchewollock to Sea Lake (possible accommodation option) is 73 kilometres (45 miles) – a 50-minute drive.

> From Patchewollock to Mildura (possible accommodation option) is 141 kilometres (88 miles) – a drive time of approximately 1 hour, 38 minutes.

> From Patchewollock to Swan Hill (possible accommodation option) is 145 kilometres (90 miles) – a drive time of approximately 1 hour, 36 minutes.

You don’t have to have to have a car to see the silo art. While we rarely saw anyone else at the silos, a quick internet search reveals there are bus tours from Melbourne (Victoria) and Albury (New South Wales) that travel the Silo Art Trail. However, it would appear they don’t visit all the silos.

Rupanyup silo art

Black & white painting of a girl and a boy in team uniforms on metal grain silos

Rupanyup silo art of young people from local sporting teams on Victoria’s Silo Art Trail

Completed early 2017, the faces featured on the silos are those of Rupanyup residents and local sporting team members, Ebony Baker and Jordan Weidemann. Dressed in their sports uniforms (netball and Australian Rules football, respectively), the mural captures the spirit of community while honouring the integral role that sport and community play in rural Australia.

Rupanyup’s silo art is the work of Russian mural artist, Julia Volchkova. The monochromatic work is typical of Volchkova’s realist portraiture style. And avid traveller, her frequent travels have resulted in numerous large-scale murals of local people in Indonesia, Malaysia and elsewhere around the world.

Sheep Hills silo art

Brightly coloured painting of 4 Australian Aboriginals on concrete grain silos

Sheep Hills silo art of Aboriginal Australians on Victoria’s Silo Art Trail

Melbourne-based artist, Adnate is known for using his artwork to tell stories of Indigenous people and their native lands; particularly those of Aboriginal Australians. He painted the mural on the silos at Sheep Hills in 2016 after spending 4 weeks with the community. He found his inspiration for the mural after developing a friendship with the Barengi Gadin Land Council in North-East Victoria.

Through his portraits of Wergaia Elder, Uncle Ron Marks, and Wotjobaluk Elder, Aunty Regina Hood, alongside two young children, Savannah Marks and Curtly McDonald, Adnate celebrates the richness of the area’s Indigenous culture.

Coloured painting of the face of an Australian Aboriginal man on a concrete grain silo — Sheep Hills silo art of the face of Wergala Elder, Uncle Ron Marks on Victoria’s Silo Art Trail

Coloured painting of the face of an Australian Aboriginal girl on a concrete grain silo — Sheep Hills silo art of the face of Aboriginal Australian child, Savannah Marks on Victoria’s Silo Art Trail

Coloured painting of the face of an Australian Aboriginal boy on a concrete grain silo — Sheep Hills silo art of Aboriginal Australian child, Curtly McDonald on Victoria’s Silo Art Trail

Coloured painting of the face of an Australian Aboriginal woman on a concrete grain silo — Sheep Hills silo art of Wotjobaluk Elder, Aunty Regina Hood on Victoria’s Silo Art Trail

The night sky in the mural represents elements of local dreaming and the overall image signifies the important exchange of wisdom, knowledge and customs from Elders to the next generation.

Featuring a bold use of block colours via acrylic and spray paint, Adnate’s portraits are known for introducing a strong energetic presence to their surroundings. Described as “life-like” and “emotive”, his large-scale murals can be found in various settings throughout Australia and around the world; including the mural he painted inside Goorambat’s Uniting Church in North-East Victoria.

Brim silo art

Paintings on 3 men and 1 woman farmers on concrete grain silos

Brim silo art of multi-generational male and female farmers on Victoria’s Silo Art Trail

Although the third silo artwork along the Silo Art Trail (travelling from Melbourne), the mural painted on the disused GrainCorp silos at Brim was the first to be painted in Victoria and was the inspiration for the Silo Art Trail.

Painted by world renown Australian street artist, Guido van Helten, his mural of four, anonymous, multi-generational farmers (3 men and 1 woman) was completed in January 2016. Van Helten’s subjects bear expressions that exemplify the strength and resilience of the local farming community as they face immense economic pressure and the tangible consequences of climate change. His work captures the spirit of the local area and connects the characters to their chosen place; infusing the landscape with a comforting, familiar presence.

Sepia-coloured painting of middle-aged man on a concrete grain silo — Face of the middle-aged male farmer on the Brim silo on Victoria’s Silo Art Trail

Sepia-coloured painting of young man on a concrete grain — Face of the youngest male farmer painted on the Brim silo on Victoria’s Silo Art Trail

Sepia-coloured painting of woman on a concrete grain silo — Face of the only female farmer on the Brim silo on the Silo Art Trail

Sepia-coloured painting of old man on a concrete grain silo — Face of the oldest male farmer on the Brim silo on Victoria’s Silo Art Trail

Celebrating everyday characters in forgotten places, van Helten’s monochromatic, photorealistic style offers an intimate glimpse into the lives of others. His large-scale portraiture murals, found in Ukraine, Norway, Italy, Denmark and Iceland, tell stories of culture, history and identity in an effort to capture the soul of people and place.

Rosebery silo art

Painting of cowgirl, horseman and horse on concrete grain silo

Rosebery silo art of female farmer and horseman with his horse on Victoria’s Silo Art Trail

The silo on the left captures the grit, tenacity and character of the region’s young female farmers, who regularly face drought, fires and other hardships living and working in the Wimmera Mallee. In her work shirt, jeans and turned-down cowboy boots, the strong young female sheep farmer symbolises the future.

The silo on the right portrays the familiar connection between man and horse. The contemporary horseman appears in Akubra hat, Bogs boots and oilskin vest – common attire for Wimmera Mallee farmers. Both man and horse are relaxed and facing downward, indicating their mutual trust, love and genuine connection.

Completed in late 2017 by the successful, internationally renowned street artist, Kaff-eine, her Rosebery mural depicts themes that she says embody the region’s past, present and future.

Combining creativity with a strong social conscience, Kaff-eine makes art and film projects in marginalised communities around the world, with her work inviting audiences to engage with social and political issues. Kaff-eine describes her practice from photorealistic to darkly sensual stylised characters as “loaded with symbolism and narrative”.

Lascelles silo art

Sepia-coloured painting on concrete grain silo of local male farmer from Lascelles — Lascelles silo art of local farmer, Geoff Horman on Victoria’s Silo Art Trail

Sepia-coloured painting on concrete grain silo of local female farmer from Lascelles — Lascelles silo art of local farmer, Merrilyn Horman on Victoria’s Silo Art Trail

The murals here of the local farming couple, Geoff and Merrilyn Horman can never be photographed together because they are on opposite sides of two grain silos. The Horman’s are part of a family who have lived and farmed in the area for four generations.

Painted by Rone in mid-2017, he wanted the mural to portray his subjects as wise and knowing; nurturing the town’s future with their vast farming experience and longstanding connection to the area.

Rone worked for two weeks to transform the two 1939-built GrainCorp silos. He went to great lengths to paint in the silo’s existing raw concrete tones to produce a work that would integrate sensitivity into its environment. Utilising this muted monochrome palette, he added water to his paint as a blending tool to produce a ghostly, transparent effect – a signature of his distinctive painting style.

An influential figure in Australia’s early street art scene, Rone is perhaps best known for his large-scale “Jane Doe” portraits, featuring beautiful young women painted onto old, decaying backgrounds. This interplay between beauty and decay is a key theme throughout his work; emphasising the fleeting nature of beauty and encouraging audiences to appreciate it while it lasts.

Patchewollock silo art

Coloured painting of a young man on outdoor concrete grain silo

Patchewollock silo art of local farmer, Nick “Noodle” Holland on Victoria’s Silo Art Trail

To prepare his Patchewollock mural, Brisbane artist, Fintan Magee booked a room at the local pub to immerse himself in the local community and to get to know its people. When he met local sheep and grain farmer, Nick “Noodle” Hulland, Magee knew he had found his subject.

Coloured painting of the face of a young man on a concrete grain silo

The face of local farmer, Nick Holland on the Patchewollock silo on Victoria’s Silo Art Trail

Why Hulland? According to Magee, the rugged, lanky local exemplified the no-nonsense, hardworking spirit of the region. Perhaps more importantly though, Noodle had just the right height and leanness to neatly fit onto the narrow, 35-metre-high canvas of the twin 1939-built GrainCorp silos.

Completed in late 2016, the Magee’s depiction of the famously reserved Hulland portrays an image of the archetypical Aussie farmer – faded blue “flanny” (flannelette shirt) and all. Hulland’s solemn expression, sun-bleached hair and squinting gaze speak to the harshness of the environment and the challenges of life in the Wimmera Mallee.

Combining surreal and figurative imagery with a trained artist’s discipline and technical skill, Magee’s work explores global themes and climate change, displacement and migration, as well as environmental issues such as his family’s experience in the devasting 2011 Brisbane floods. Understanding that not everyone has access to art galleries, Magee aims to make art more accessible to isolated communities and general public.

The addition of Sea Lake silo art

In October 2019 (after our visit), Sea Lake, just a 50-minute drive from Patchewollock, completed a mural on its town silos, donated by GrainCorp. Thus, joining Victoria’s Silo Art Trail.

The mural, painted by Drapl and The Zookeeper, depicts a young indigenous girl swinging from a Mallee Eucalyptus tree as she gazes over Lake Tyrrell. A powerful Wedge Tail Eagle soars above the girl and emus run off into the night.

Lake Tyrrell is a large inland saltwater lake; an 8-minute drive from Sea Lake. The water in the lake is never more than ankle deep; creating fabulous reflections, especially at sunset. This was the reason we stayed at Sea Lake. But more about that in another post.

When to go

Autumn, in my opinion, March to May, is the best time in Australia. The sting of intense heat wanes, the bush comes alive, the landscape changes colour, the desert sprouts, and the people wake from their summer stupor.

Where to eat

Sub-standard food (with a few exceptions), poor food choices due to limited options, or non-existent food outlets, was a common theme throughout the whole road trip. At one point, my sister noted in her journal that the food situation was making her unhappy as she was not eating well (and not from choice).

I make two suggestions here:

Eat up big in Bendigo or Ballarat because it’s the last decent meal you will have until after you leave the Silo Art Trail; and
Buy snacks in Bendigo or Ballarat before heading up the Silo Art Trail. If you find you haven’t bought enough or are sick of what you did buy, you can stock up at the supermarket in Warracknabeal. We made the mistake of eating lunch at the local Chinese restaurant in Warracknabeal because that was what we felt like. Big mistake! However, the chocolate biscuits I bought at the local supermarket were yum and eaten before my sister could blink. Did she want some?

We had a number of good meals in Bendigo. Our first breakfast was at The Boardwalk on Lake Weeroona (28 Nolan street). The service was faultless and the food here was so good we ate breakfast at The Boardwalk each morning of our stay in Bendigo. I couldn’t resist the Gourmet Fruit Loaf with Bacon.

Have lunch at The Rifle Bridge Hotel, 137 View Street, Bendigo. Talk about a yummy salad – Chicken and Macadamia Nut Salad with Beetroot, Pear and Figs.

For dinner, Masons of Bendigo, at 25 Queen Street, is a must. Plating is modern Australian, with all dishes (starters, mains and deserts) designed to be shared. We received excellent service from friendly, informative staff. Awarded “One Chef Hat” in Australia’s Good Food Guide in 2016 and 2017, reservations are essential.

On our first night in Ballarat, we ate at The Forge Pizzeria (14 Armstrong Street) as it was recommended in the Ballarat tourist information booklet. The restaurant was packed, which is always a good sign. My sister enjoyed her pizza, but it was a poor food choice for me as I am not all that keen on pizza.

The next day we had lunch at L’Espresso café (417 Sturt Street). A very popular café (people waiting to be seated) with efficient service and, we both commented, excellent food. That night, we ate at The Gallery Restaurant in the Craig’s Royal Hotel where we were staying (10 Lydiard Street). We had mixed feelings regarding our meals here. I thoroughly enjoyed my main course and desert. But my sister was not impressed with her meal.

In Rosebery, after viewing the silo art, we passed an old church 228 metres down the road with a sign out the front advertising scones and cream. This couldn’t be real! We were in the middle of nowhere! Turning around, we discovered the old church was now a café, Mallee Sunsets Gallery Café, and did indeed, have scones with jam and cream on its menu. This we couldn’t resist. Together with the best ice coffee I probably have ever had (I watched her put 6 scoops of ice cream in my ice coffee), I was in heaven.

The story of this once Presbyterian Church really brought home how much these small, remote farming communities are struggling. It stopped being a church in 1990 because there were only 5 people left in the congregation. The church’s closure divided the community as those 5 people then had to attend services in Warracknabeal or Hopetoun. Three went one way and two went the other.

Our final silo art on the Silo Art Trail was at Patchewollock. Looking to eat after viewing the mural of ‘Noodle”, we had two options: the café that only sold sausage rolls they could heat in a microwave or the Pub. We settle for toasted sandwiches at the “Patche Pub”.

From Patchewollock, we headed to Sea Lake for two nights. At the time, the only meals available for dinner were dispensed from a vending machine at the motel and were disgusting. There were two cafes open for breakfast but one closed at 5.30pm (too early for dinner) and the other advertised they close at 8.30pm. But not this night! They had two tourist coaches in town and had shut the café to all other people. At the time of our stay in Sea Lake, the hotel was being renovated and is now open for accommodation and meals. Bonus!

So, being very, very hungry by this stage in our travels, on our second day in Sea Lake, we drove 45 minutes to Spoons Riverside Café and Restaurant in Swan Hill for lunch. Spoons Riverside is in a beautiful location, overlooking the Murray River. I ate far too much, but the food was so yummy.

You would be forgiven for thinking that our focus was on food and not the massive artworks we had come to see. But when you experience such awful food and wonder where your next decent meal is going to come from, it’s hard to shift your focus. Having said that, I believe everyone should experience and contemplate the connectedness between people and landscape that the Silo Art Trail depicts. Just be prepared.

Where to stay

Being influenced by tourist information advising that Hopetoun is a great base for exploring the gigantic artworks that comprise the Silo Art Trail, we broke our journey for the night in Hopetoun. Both my sister and I strongly recommend you don’t do this. The only accommodation in town was very basic (that I can live with), but my room was filthy. On top of this, our food choices were extremely limited and tasteless.

The Quality Hotel Lakeside in Bendigo (our ‘home’ for 3 night), at 286 Napier Street, is located opposite Lake Weeroona and a stone’s throw from ‘The Boardwalk’ where we had breakfast each morning. A modern hotel, our balconied rooms were very large, with king-sized bed, comfortable lounge, writing desk and tea/coffee making facilities. The hotel also had a guest laundry.

In Ballarat, we stayed at Craig’s Royal Hotel – 10 Lydiard Street, South Ballarat. Located in the historical part of Ballarat across the road from Her Majesty Theatre, this luxury boutique hotel was comfort plus with an old-world charm. Craig’s Royal Hotel has been a Ballarat icon since 1853.

The drive from Ballarat to Sea Lake, at 405 kilometres, or from Bendigo to Sea Lake, at 357 kilometres, can be done in one day. This is not excessive and easily accomplished with plenty of time to view each of the silo artworks. Don’t make the mistake we made stopping for the night along the Silo Art Trail.

In Sea Lake we stayed at the Sea Lake Motel on the Calder Highway (93 Railway Avenue, Sea Lake). Our room (the only time we shared a room on this road trip) was small and basic, but clean. The now renovated Hotel (pub) on the main street in town may be a better accommodation option.

Painting of your man on concrete grain silo and yellow car near silo

Patchewollock silo art of Nick Holland and car. The end of Victoria’s Silo Art Trail

What did surprise me was the lack of infrastructure to support tourism along the Silo Art Trail. I’m not referring to the roads. They were in good condition that my little car had no trouble traversing. If the Silo Art Trail has any hope of encouraging financial sustainability of the towns in questions through tourism and saving them from extinction, then appropriate places to eat and sleep are crucial. We would have seen a maximum of 3 other couples visiting these murals. I can understand that people are loathe to open cafes and accommodation when the tourists aren’t there to generate a viable business enterprise. It’s a bit like which comes first, the chicken or the egg. What are your thoughts on this?

I would like to leave you with a comment from my sister as she summed up her experience of the Silo Art Trail.

“At first I was not overwhelmed by the silo art. But on reflection, the use of these giant canvases to reflect community has been interesting and something to remember. Some of them, and their place in the landscape, have affected me. It would be good to go back and look at them quietly and reflect on the landscape.”

For my sister, the people in the murals were of the landscape. Her desire to return is based on a need to further examine the connection between landscape and the art themselves.

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Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. Unless specifically stated, all photos are my own and remain a copyright of Joanna Rath.

For more on Australia’s silo art, read:

Unique Silo Art Celebrates Local Communities and Fauna

3 of the Best Things to See and Do in Rochester

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9 min read

Austria Europe Reviews

EXPLORING BEAUTIFUL MELK ABBEY IS GUARANTEED TO BE SPECIAL

Joanna Rath

November 30, 2019 7:53 pm November 30, 2019

9 min read

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9 min read

There are not enough adjectives to describe Melk Abbey. My first sighting of Melk Abbey, a Benedictine monastery, took my breath away and it took a while before I could…

There are not enough adjectives to describe Melk Abbey. My first sighting of Melk Abbey, a Benedictine monastery, took my breath away and it took a while before I could pick my jaw up off the ground. This beautiful, beautiful monastery (duplication not a typo) in Lower Austria should be on everyone’s European itinerary.

Melk Abbey is a masterpiece of Baroque architecture. It is Austria’s largest Baroque structure. Perched high on a cliff overlooking the old town of Melk and the Danube and Melk rivers, it sits within the Wachau Valley, a UNESCO World Heritage Site.

The abbey you see today was built between 1702 and 1736. But Melk Abbey is 900 years of history – all evidently told in the abbey’s museum. Originally a palace, Melk Abbey was gifted to the Benedictine monks in 1089 and has remained an active abbey ever since. Today, Melk Abbey has 30 monks (ranging in age from 21 to 96 years); a co-educational secondary school with 900 pupils; and extremely well presented, minimalist museum; and a church that I can only describe as ostentatious.

From every angle, Melk Abbey is impressive. I lost count of the number of times I said, “Oh my goodness”. Swathed in ochre-coloured paint, Melk Abbey is just the most beautiful building to behold. You might have gathered by now that I fell in love with Melk Abbey. And the guided tour cemented my love.

The guided tour through Melk Abbey commenced with a meet and greet in the large outer courtyard, the Gatekeeper’s Courtyard. In this courtyard, you will find the oak wooden statue of Saint Coloman. The statue is 150 years old and the oak was sourced from the abbey’s forests. Saint Coloman was Austria’s first patron saint until 1663. He is still the patron saint of Melk Abbey and the town of Melk.

Arch in Melk Abbey building from one courtyard to another as seen through the arch — Melk Abbey’s Gatekeeper’s Courtyard, with a view through to the Prelate’s Courtyard

Wooden statue of a man holding a staff at Melk Abbey — Wooden statue of Saint Coloman, the patron saint of Melk Abbey, in the Gatekeeper’s Courtyard

From the Gatekeeper’s Courtyard, it was through the Benedict Hall and into the Prelate’s Courtyard. In this latter courtyard were four vivid, contemporary frescos; replacing the Baroque frescos that were unable to be restored. These frescos represent the four cardinal virtues – Prudence, Temperance, Justice and Fortitude. The modernist style of the frescos caused some controversy as people tried to adjust to the move away from the original, and expected, Baroque style.

Painting of a striding figure looking into a mirror at Melk Abbey — Melk Abbey’s modern fresco depicting the cardinal virtue of Prudence in the Prelate’s Courtyard

Painting of two figures pouring fire and water into an urn at Melk Abbey — Melk Abbey’s modern fresco representing the cardinal virtue of Temperance in the Prelate’s Courtyard

Painting of a blindfolded figure with a sword at Melk Abbey — Melk Abbey’s modern fresco representing the cardinal virtue of Justice in the Prelate’s Courtyard

Painting of a figure holding a column and being attacked by a lion — Melk Abbey’s modern fresco representing the cardinal virtue of Fortitude in the Prelate’s Courtyard

The fountain in the Prelate’s Courtyard is a copy of the Coloman fountain. The original, removed from Melk Abbey in 1722, now stands in Melk’s Town Hall Square.

Leaving the Prelate’s Courtyard through a narrow passageway, the Imperial Staircase leads up to the Imperial Wing.

A fountain in a courtyard surrounded by the buildings of Melk Abbey — Copy of the Coloman fountain in Melk Abbey’s Prelate’s Courtyard

Painted staircase with carvings in Melk Abbey — The Imperial Staircase in Melk Abbey’s Imperial Wing

The Imperial Wing was originally designed for the imperial court. Here, we find the Imperial Corridor and the imperial rooms (now housing Melk Abbey’s museum). A lot of ‘imperials’ happening here!

The Imperial Corridor, at 200 metres long, is impressive. The Corridor is hung with portraits of Austria’s rulers – from the first Babenberg Emperor, Leopold l, to the last Habsburg Emperor, Karl l. There are more portraits of Habsburgs because they ruled for longer.

The Melk Abbey museum, in the imperial rooms to the left of the Imperial Staircase, is extremely well set up and informative. It is minimalist in a positive way. That is, you get a good overview of the history (past and present) of the abbey, of its cultural, political and economic functions, but you are not left feeling overwhelmed; feeling as though there was too much to take in and, therefore, coming away none the wiser. No information overload here.

The museum comprises of 11 small rooms. The overriding theme of the museum is, “The Path from Yesterday to Today: Melk Abbey in its Past and Present”, with each room having its own individual theme. What follows are snippets of, in my opinion, interesting information taken from the guide’s explanations throughout the museum tour and my impressions.

Room 3 (“The Ups and Downs of History”) has a wavy floor, representing the ups and downs of life. The flooring is not the original Baroque because Napoleon was an unfortunate guest who burned documents on the floor.

Rooms 5 and 6 are a tribute to Melk Abbey’s contribution to the Baroque period. The Baroque period was a time in history of excess and all that glitters (gold, and more gold). “Heaven on Earth” seems to me an appropriate theme for this period. However, Room 7, with its, “In the Name of Reason” theme, represents new times and a sensible, frugal monarch. Joseph ll said the Baroque style was too expensive. But perhaps he was a little too frugal. Taking the Baroque style to the opposite extreme, he only allowed one coffin per church. The coffin designed to meet this requirement had a bottom that would open, allowing the corpse to drop through. Thus, the coffin could be used again.

Room 10 (“To Glorify God in Everything”) contains a 17^th century iron chest used for secure storage and transporting the abbey’s most important documents and treasures. The chest has a convoluted locking mechanism, comprising of 14 locks that are still working.

The detailed model of Melk Abbey housed in Room 11 (“Motion is a sign of Life”) turns so you can see all sides unobstructed. There is a mirror on the ceiling to enable a view into the courtyards of the model.

The Marble Hall was a place to receive guests and dining hall for the imperial family. The name ‘Marble’ Hall is somewhat misleading as only the door frames are true marble. The ‘marble’ on the walls is faux marble. However, this is easily forgiven by the magnificent ceiling fresco that is complemented and framed by stunning architectural painting.

Magnificent views of the town of Melk, and the Danube and Melk rivers are to be had from the Terrace that connects the Marble Hall with the library. The Terrace also provides a great view of Melk Abbey church.

Looking down on a town and river from Melk Abbey — View of the town of Melk and Melk River from Melk Abbey’s Terrace

Facade of Melk Abbey church with statue and plant in foreground — Melk Abbey church viewed from the abbey’s Terrace

The library is the second most important room in any Benedictine monastery; second only to the church.

My favourite library to date has been Coimbra University library in Portugal. However, the competition between that library and Melk Abbey’s library would be a close contest. Both are stunningly beautiful. There is something uniquely special about the mix of dark wood and old books.

Melk Abbey library houses approximately 10,000 volumes, with manuscripts dating back to the 9^th century. The uniformity of the books in the inlaid bookshelves is due to them all being bound to match. With internal balconies, wooden sculptures, a huge free-standing world globe, figurines and frescoed ceilings, the library is an entrancing vision. It also exudes peace and tranquillity; a place where I could easily spend hours just sitting and soaking in the atmosphere. I know I am waxing lyrical here, but I can’t help it. Melk Abbey library does that to me. No wonder Umberto Eco conducted his research on his book, The Name of the Rose in Melk Abbey’s library. But more on that later.

The upper floor of the library, reached by a spiral staircase, is not open to the public.

The guided tour ended in the library. I lingered to absorb the library’s ambiance before heading to the church on the recommendation of the guide.

My visit to Melk Abbey’s church, not part of the guided tour, was very brief as I am over what I can only describe as ostentatious, Baroque churches. Of note, however, is the Altar of St. Coloman. Here you will find a sarcophagus with, we are told, the remains of St. Coloman, the patron saint of Melk Abbey.

Photography was not permitted inside Melk Abbey’s museum, the Marble Hall, the library, or the church.

You don’t have to take the one-hour guided tour of Melk Abbey (except in the winter months). However, it is my opinion this would be false economy as the explanations provided by the guide throughout the tour were invaluable. The guide’s story telling brought Melk Abbey alive; revealing all its traits.

Melk Abbey’s literary connection is not just confined to the books in its historical library.

The Name of the Rose, written by Umberto Eco (1980), is a historical murder mystery (a medieval whodunit) set in an Italian Cistercian monastery in 1327.

But what does a story about murders in a Cistercian monastery in Italy have to do with a Benedictine monastery in Austria? The connection is Melk Abbey’s magnificent library. You see, the focal point in The Name of the Rose is the library where all the murders take place. Melk Abbey’s library is said to be Eco’s inspiration for the library in The Name of the Rose.

But the connection goes further than that. One of Eco’s main characters in The Name of the Rose is Adso of Melk, a Benedictine novice from Melk Abbey. The Name of the Rose is Adso of Melk’s story as he is the narrator. As way of introduction, Adso of Melk informs us he is writing his narrative, now an old man, at Melk Abbey. On the last page of The Name of the Rose, Adso of Melk tells the reader he is leaving his manuscript in the library of Melk Abbey.

In summary, make the effort to visit Melk Abbey. You won’t be disappointed. I guarantee it is something special.

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7 min read

Europe Netherlands Reviews

JOIN A PHOTO SAFARI – a unique way to see amazing Amsterdam

Joanna Rath

November 9, 2019 3:04 pm November 9, 2019

7 min read

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7 min read

What better way to capture a city than through a photography tour or workshop with a local? That’s just what I did when I signed up for two photography tours…

What better way to capture a city than through a photography tour or workshop with a local? That’s just what I did when I signed up for two photography tours in Amsterdam with Amsterdam Photo Safari – the 6-hour walking night photography tour (5.30pm to 11.30pm) and the 5-hour walking day photography tour (11.00am to 4.00pm).

Ruud was my guide and tutor on both photography tours. Amsterdam is his home. I had Ruud to myself for both tours. This was simply luck of the draw as I had not booked private tours. As we walked around Amsterdam’s districts, he exposed this amazing city’s personality; opening up its beating heart and its multi-facetted soul. Ruud took me to places I would never have got to as a traveller. His knowledgeable stories brought Amsterdam to life for me. According to Ruud, “Every photo has a story and to every story there is a photo”. Not only did I feel I improved my photography skills from the guided tuition of a professional photographer who was an excellent teacher, but I discovered Amsterdam from a born storyteller. I found my time with Rudd increased my consciousness of my surroundings. Particularly in terms of what to photograph; what will make an interesting photo; and what will make a photo pop. Thank you Ruud.

Amsterdam house with reflections in windows

Buildings reflected in every window of a house in Amsterdam

Amsterdam Photo Safari cater for all skill levels. I describe myself as an amateur photographer with (now) intermediate skills. I firmly believe that no one is ever too skilled to learn new things. Ruud gave me the confidence to use manual focus (I have a DSLR camera); showing how it better captures a subject that is, for example, reflected in a window or puddle of water. He provided positive and constructive feedback. At no time was I made to feel inadequate.

Ruud’s focus was on me, my learning, my camera, my photography. I believe this was not simply because I was the only participant. Even had there been other participants, the focus still would have been ‘individual’. This was important for me as I was extremely annoyed (to say the least) on one photography holiday a number of years ago where the photography tutor was more interested in the photographs he could capture for himself than those of his paying guests.

Ruud was very keen on shallow depth of field; recommending I set the camera’s f-stop to f/3.5 (the lowest my camera will go). For those non-photographers, shallow depth of field is the immediate foreground in focus, for example a box of flowers or a bicycle (plenty of those in Amsterdam), and the background out of focus (blurred). My passion is travel photography and I doubted such shallow depth of field would suit my purposes. Ruud’s argument was that even though the background is blurred, it is still recognisable and produces a more creative photo. See the photos below for a visual explanation of what I am referring to. While I went along with Rudd, I thought I would never use such a shallow depth of field with my travel photography. I am also someone who wants everything in the photo in focus. So, to find myself using f/3.5 on my further travels through Europe, I surprised myself and silently thanked Ruud. I now have some pretty good, creative photos to add to my memories of the places I have been.

A canon on a bridge in Amsterdam with houses in the background — Shallow depth of field: A canon with 3 crosses (representing Amsterdam’s motto) in focus on a bridge with background houses blurred

View of boats through flowers on a canal in Amsterdam — Shallow depth of field: Some flowers in focus with Amsterdam’s canal boats blurred

The sign of a good photography tutor is one who can work their way around any camera brand, no matter how unfamiliar they might be with different brands. Ruud’s camera of choice is a Sony, while mine is a Nikon. Rudd admitted he was not overly familiar with Nikons. However, I would not have picked up on this without him telling me. The only hint came during the night photography tour. I had my tripod (these can be hired from Amsterdam Photo Safari at a minimal cost) but had left my remote shutter release back in my hotel room (clever!). I couldn’t remember how to set the in-camera timer. Ruud wasn’t fazed by this. After a quick, unfruitful play with my camera’s dials, out came his mobile phone and an internet search quickly told us where the timer was. No shooting time or opportunities lost.

Given that I live in Australia, all my communications with Amsterdam Photo Safari was via email. Booking with Amsterdam Photo Safari was made so easy thanks to the prompt and detailed responses to my email queries. Payment was made through PayPal (no account required). I even managed to negotiate a discount with Amsterdam Photo Safari for booking two photography tours with them. Once booked, communication from Amsterdam Photo Safari did not cease as they kept me informed with who would be my photography tutor, the meeting place, time etc. Thanks Barry.

Barry went above and beyond, suggesting (unrelated to Amsterdam Photo Safari) places near Amsterdam worth visiting; one of which I added to my itinerary. I was not disappointed.

Comfortable walking shoes are essential. Even though we stopped for coffee breaks, to have the stamina to keep going was crucial. I have to admit, by 3.30pm on the day photography tour I was ready to sit down and not get up again.

I thoroughly enjoyed the night and day photography tours with Amsterdam Photo Safari. I got to discover Amsterdam from a local and learnt so much. My knowledge and understanding of composition and perspective and how to look for and achieve these, were significantly enhanced. But for me, I learnt the most on the night photography tour. Learning how to set up and use long exposure (an area of photography I was not familiar with – as evidenced by my inability to find the timer on my camera) has opened up a whole new genre of photography for me. The canal boats made an excellent subject for long exposure; with their lights making colourful trails across the photo.

Streaks of lights from a canal boat passing houses on a canal in Amsterdam

A canal boat passing in front of houses on a canal in Amsterdam becomes a transparent, colourful trail of lights through long exposure

I highly recommend Amsterdam Photo Safari.

Note: Flexibility around Amsterdam Photo Safari’s tour hours was not a hassle. I needed to end the night photography tour earlier than designated as I had to ensure I did not miss the last tram back to my hotel. Additional time was simply added to my day photography tour the next day (hence my flagging energy?). Had I not been taking another photography tour the next day, I am convinced Amsterdam Photo Safari would have suggested something appropriate and mutually acceptable in the way of compensation.

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Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain a copyright of Joanna Rath.

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7 min read

Destinations Europe Germany Photo Stories River Cruises

HOW BEST TO SPEND YOUR FREE TIME IN ROTHENBURG

Joanna Rath

October 26, 2019 7:36 pm October 26, 2019

7 min read

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7 min read

So, how do you best spend your free time in Rothenburg? The short answer to this question is, WALK. Being relatively flat, Rothenburg’s Old Town is easy to walk around,…

So, how do you best spend your free time in Rothenburg? The short answer to this question is, WALK. Being relatively flat, Rothenburg’s Old Town is easy to walk around, despite the cobblestone streets. If you don’t stop to window shop, it should only take you about 15 minutes to walk from one end of town to the other.

But I am getting ahead of myself here.

Firstly, Rothenburg is the common abbreviation for this German town’s full name; that being, Rothenburg ob der Tauber. Translated, Rothenburg ob der Tauber means, “Red Fortress above the Tauber”. Red Fortress above the Tauber is an apt name. The town is situated on a plateau above the Tauber River. While ‘Red Fortress’ – translated from rot (red) and burg (burgh, fortified settlement) – is attributed by some to the red roofs of Rothenburg’s houses inside the fortification.

Red roofed houses enclosed by Rothenburg's fortifications

‘Red Fortress’ – the red roofs of the houses behind Rothenburg’s fortifications

Secondly, why visit Rothenburg ob der Tauber in the first place? With its medieval architecture, narrow cobblestone streets and intact fortification wall, Rothenburg ob der Tauber is considered one of the prettiest towns in Germany. It is a medieval town frozen in time and said to be the most perfectly preserved, medieval walled city in Europe. Rothenburg ob der Tauber is one of Germany’s last remaining walled medieval towns, reached via the ‘Romantic Road’ in the Franconia region of Bavaria in southern Germany. There are photo opportunities everywhere you look.

Rothenburg ob der Tauber is 1000 years of history in the making. It was one of the largest cities in the Holy Roman Empire; survived a siege in 1631 during the Thirty Years’ War between Protestant and Catholic states in the Holy Roman Empire (1618-1648); and stagnated in 1634 due to poverty and plague. It is this latter that preserved Rothenburg in its 17^th century state. But this post is not intended to be a history lesson. However, it is worth pointing out that Rothenburg survived WWII substantially intact because its historical significance was recognised and acknowledged by the invading British army. What this post does focus on is a visualisation of Rothenburg ob der Tauber. Through my photographs, I hope to arouse your senses enough to step back in time and visit this beautiful town.

My time in Rothenburg ob der Tauber was on an optional day excursion from my river cruise when we were docked at Wurzburg, Germany. I chose this excursion because I couldn’t resist visiting a place where the Viking Cruise Documents used words like, ‘romantic’, ‘walled’, ‘medieval’, ‘preserved’, ‘inviting’, and ‘picturesque’ to describe it. I was not disappointed, and I immediately fell in love with this picture-perfect, medieval walled town. With its half-timbered houses, elaborate shop signages, and window boxes full of geraniums, every turn was a picture postcard moment.

Half-timbered house with sign and geraniums — A half-timbered house makes a great location for a toy shop

Shop signs, geraniums and rooftops — The ‘cow’ butcher shop ornate sign, geraniums and rooftops

It was a 1½ hour drive from where the ship was docked at Wurzburg to Rothenburg ob der Tauber. The drive took us along the ‘Romantic Road’. I can’t tell what was romantic about it because I slept most of the way. I believe it has something to do with being a picturesque countryside. I do know that each time I roused from my sleep it was to a view of a vineyard. Shame I slept so much!

Once in Rothenburg ob der Tauber, our guide gave us an orientation walking tour; taking us past St James Church, through Market Square with its 13^th century Gothic/Renaissance Town Hall, past fountains, museums and amazing architecture, explaining the relationship between shops and their signage, and ending at St John’s Church (our meeting point for lunch).

Lutheran church in Rothenburg — St James (Lutheran) Church

Gothic/Renaissance building and half-timbered house — The Town Hall and half-timbered house in Market Square

A narrow street with signage and tower — A picturesque narrow street with signage and tower

White Catholic Church and fountain — St John’s (Catholic) Church and locust fountain

With the orientation completed, we were left to spend our free time as we pleased. I wasn’t interested in the well-known Christmas shop. And I decided to take the guide’s advice and not try the local ‘delicacy’, a Schneeball, which he described as “horrible”. This is deep-fried dough shaped like a snowball and covered in either confectioner’s sugar or chocolate. In our guide’s own words, “you will choke on a Schneeball if you don’t take a drink of water with each and every bite to wash it down”.

I wanted to explore and photograph my own experience; to follow the direction of my feet. And I only had 1½ hours to do this in. After pointing my feet in the direction of what the guide said is the most instagrammed photo in Rothenburg ob der Tauber, I headed for the town’s fortifications.

The Plonlein is the most instagrammed image in Rothenburg

I cannot fathom why this crooked, half-timbered house on Plonlein (Little Square) is the most instagrammed image in Rothenburg ob der Tauber; why it should be so photographed. I have read that it has featured in a number of movies and been the inspiration for others, but the town is full of much more interesting, charming architecture. If anyone can enlighten me, that would be appreciated. Or, better still, go check it out for yourself.

Taking the Kobolzeller Gate (built 1360) to the right as you face the half-timbered house in the ‘most instagrammed photo’, I climbed the few steps to the town’s medieval wall. Rothenburg ob der Tauber’s medieval wall, built in the 13^th century, is 4 kilometres long and completely encircles the town’s historical centre. Walking along the wall, there are 6 gates and 42 towers to explore. With my limited time, I only managed 2 gates (up through one gate and down through the next) and a handful of towers. Despite all the tourists in town, I had the wall to myself – a very pleasant experience.

Rothenburg's medieval wall and nearby houses — The medieval wall encloses Rothenburg’s houses

Rothenburg's medieval wall and tower — A section of the medieval wall with one of the 42 towers

Coming off the wall, I proceeded to walk in a large circle that took me back to Market Square.

Rothenburg's Horse Mill is now a youth hostel — The former Horse Mill (built 1516) is now Rothenburg’s youth hostel

Rothenburg's medieval architecture - half-timbered house — Medieval architecture. This half-timbered house is locked in time

Rothenburg's Master Builder's House with statues — The Master Builder’s House (built 1596) presents a different architectural style

Old warehouse facade — I loved the textures of this old warehouse

Street with shops, signs and tourists — Street view of shops, their ornate signs and tourists through a tower

Rothenburg's Main Square — Cafes line Market Square

I was back in Market Square in time for when the clock on the 14^th century Councillor’s Tavern performs its hourly ritual. Our guide had informed us that on the hour between 10.00am and 10.00pm two doors open on either side of the clock face. Out comes Rothenburg’s former Mayor, Nusch, and the Catholic General, Tilly, who challenged Nusch to drink a gallon tankard of wine in one go without stopping to save the town during the Thirty Years’ War. And save the town he did! It’s not the most interesting mechanical clock I have seen on my travels, but I did like the story behind it – the “Legend of the Master Draught”.

Rothenburg's Councillor's Tavern with mechanical clock in main Square

The “Legend of the Master Draught” mechanical clock on the Councillor’s Tavern

I have to go back to Rothenburg ob der Tauber:

to visit the gardens that replaced Rothenburg Castle which was destroyed in an earthquake in 1356;
to visit the Medieval Crime and Justice Museum;
to hike down into the valley;
to climb the Town Hall Tower to see the views for myself rather than just read about them;
to check out the interior of St James Church and its famous Holy Blood altarpiece;
to sit in a cafe in Market Square and people-watch;
and much more

I reckon this will take me 2 to 3 days (at least).

Rothenburg ob der Tauber, I will see you again.

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain a copyright of Joanna Rath.

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3 min read

Europe Hungary Postcards to Home River Cruises

SHOES ON THE DANUBE – a holocaust memorial

Joanna Rath

October 12, 2019 12:44 pm October 12, 2019

3 min read

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3 min read

Dear Pip, It is from a cold, dark place that I write you this postcard. A place that reminds me of a horrific time in history – a time…

Caste iron shoes on the riverbank with Budapest in the background

Budapest’s holocaust memorial, Shoes on the Danube Promenade

Dear Pip,

It is from a cold, dark place that I write you this postcard. A place that reminds me of a horrific time in history – a time that should never be forgotten.

I refer to the holocaust memorial, “Shoes on the Danube Promenade” in Budapest, Hungary.

“Shoes on the Danube Promenade” was created in 2005. The memorial comprises of 60 pairs of life size, iron shoes stretching along a section of the Danube’s riverbank. Caste in the style of the 1940s, the shoes are in different sizes; representing the men, women and children this memorial is a tribute to.

“Shoes on the Danube Promenade” holocaust memorial is dedicated to the thousands of Jews (approximately 20,000) who were executed along the Danube riverbank during 1944-1945. They were shot by members of the Hungarian fascist and anti-Semitic organisation, the Arrow Cross Party. The victims were forced to remove their shoes, face their executioner, and were shot so that they tumbled into the river. The river would then carry their bodies away. This saved the Arrow Cross Party having the hard labour of digging graves. The victims were forced to remove their shoes because shoes were a valuable commodity and could be sold by the executioners.

‘60’ was not just a random number of shoes to include in the holocaust memorial. It reflects the 600,000 Hungarian Jews who died during World War 2, and the memorial was created 60 years after the war.

“Shoes on the Danube Promenade” is located on the banks of the Danube River on the Pest side of Budapest between two well-known landmarks, the Chain Bridge and the Parliament Building.

I deliberately set out to walk to this holocaust memorial after our tour guide pointed it out from the bus on the way back to our ship from our walking tour of Budapest’s Jewish Quarter. The memorial is unique; unlike anything I have ever seen. Even with all the tourists, I found the memorial poignant and haunting; a place for reflection and contemplation.

On my way back from the Parliament Building, I passed the “Shoes on the Danube Promenade” holocaust memorial again. Someone had put a white carnation in two of the shoes. I like to think it was the wedding couple who were being photographed nearby. That, on a day that was so memorable for them, they have taken the time to remember and honour those who so tragically had their memories taken from them. Perhaps they were remembering a family member.

I was profoundly moved by this holocaust memorial (more so than any other I have been to on this trip), and thankful for how fortunate I am.

Love,

Joanna

A carnation is placed in one of the memorial shoes as a sign of remembrance

Line of caste iron shoes on the Danube riverbank

Some of the holocaust memorial’s 60 pairs of shoes on the Danube Promenade

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. All photos are my own and remain a copyright of Joanna Rath.

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7 min read

Travel Tips, Info and Resources

HOW TO IMPROVE YOUR SAFETY WHEN TRAVELLING

Joanna Rath

August 5, 2019 7:06 pm August 5, 2019

7 min read

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7 min read

Does your jewellery put your safety at risk when travelling? And what about that expensive equipment you carry around? Are you an easy target for scammers, muggers and thieves? How…

Does your jewellery put your safety at risk when travelling? And what about that expensive equipment you carry around? Are you an easy target for scammers, muggers and thieves? How can you improve your safety when travelling?

Read on if you want to avoid making yourself a target while travelling; if you want to avoid theft, kidnapping and physical harm when travelling in foreign countries.

There is a plethora of blog posts out there about safety when travelling; about the precautions you should be taking to protect yourself and your belongings. For example:

don’t walk around on your own at night;
hide your money;
put a wedge under your hotel door;
never leave your drink unattended;
research common scams in your destination;
avoid public demonstrations;
use a luggage cable to secure your bags on buses and trains;
only use ATMs inside banks or buildings and only during the daytime;
carry your backpack or purse on your front;
research what is appropriate to wear.

And so the list goes on.

Much of this you would think is common sense. Having said that, I would never have thought to not only lock my hotel room door but to put a wedge under the door as well. It is easy to forget that hotel staff have a Master Key.

What I haven’t seen in blog posts on safety tips when travelling (and that doesn’t mean it’s not out there), is specific mention of jewellery and expensive equipment, such as cameras, tablets, mobile phones. How these might put your personal safety at risk and what you might do about this.

Do you wear jewellery when travelling?

Is it that gold chain that you never take off? Is it those diamond earrings you got from a loved one and don’t want to leave behind? Is it that watch you have to wear because you feel naked without it (that’s me)? Have you ever thought about the impact of that jewellery on your safety when travelling?

When travelling to many countries, particularly developing countries, the mere fact that you are in their country makes you a rich person. They don’t see the budget you’re travelling on, and they wouldn’t believe you anyway. You can afford to travel and that is all they know or understand. Your limited budget could well be their income for the year (or more).

The jewellery you wear can make you a target. Your jewellery can put your physical safety at risk when thieves try to take it; to rip that necklace off from around your neck. You can be vulnerable to muggings – to see what other valuables you may be carrying. Your jewellery may also place you in danger of kidnapping because you are seen to be rich and, therefore, a loved one will pay a lot of money for your release. This latter is extreme, I know, but should not be dismissed. It makes no difference whether it be valuable jewellery or costume jewellery. Especially as it is often hard to tell the difference between precious gems and glass in jewellery. I would not be able to tell the difference.

Don’t tempt fate!

I love jewellery and get a lot of enjoyment out of wearing it. I always buy pieces (earrings, necklaces, bracelets, brooches) from wherever I travel. My family and friends would tell you I have heaps. Well, more than heaps.

I would like to say I wear no jewellery when I travel. But I can’t. Remember, I’m the person above who has to wear a watch because I feel naked without it. I also have pierced ears. Because I travel for weeks at a time, I don’t want the holes to close over. So, I do wear earrings. I wear small silver sleepers (not gold as that yells, “expensive”) and don’t take any other earrings with me. The watch and the sleepers are the limit of my jewellery while travelling.

On the flip side … I am not married, so don’t wear a wedding ring. However, to minimise being harassed as a female traveller and to add to my sense of security, I wear a wedding band when I travel in the middle east.

And what about that camera you lug around?

Your camera not only labels you as a tourist (a risk in itself) but potentially puts you at risk of being mugged to relieve you of that camera.

I do use one of those expensive DSLR cameras because I love my photography. I use my photographs on my travel blog and would, one day, love to sell my photos. However, I take what precautions I can to remove the ‘rich person’ target on my back and its possible consequences, and to prevent it being stolen:

I keep the camera out of sight in my backpack when I am not shooting. If your camera is small enough, keep it in your pocket.
I do not walk around with my camera slung around my neck or over my shoulder.
When I do have my camera out to take photos, I wear the strap around my neck or twisted around my wrist. I don’t carry the camera on my shoulder as it would be too easy for someone to remove.
My camera strap is non-descript in that it does not have the camera brand name blazoned all over it.

Do you use a mobile phone or tablet to take photos?

On my last visit to Vietnam, the tour guide advised us to stand well back from the road when taking photos with a mobile phone. We were informed that motor cyclists drive past tourists and grab their mobile phones.

I’m sure Vietnam is not the only country where this occurs. Besides, it’s good advice wherever you travel. In fact, to improve your safety when travelling, it is best not to use your mobile phone while walking around. If you need to make a phone call or check a map on your phone, sit in a café to do so. Thieves are pretty cluey as to the worth of mobile phones and you don’t want to risk your safety.

In parting, I offer some further advice provided by my Vietnamese guide:

There are fake taxis whose metres spin faster the the guide could spin his arm in a circle. He described which to catch and which are fake.
Don’t stop when crossing the road. A slow and steady pace is required so traffic can avoid you.
It’s safe to walk around at night but don’t display valuables.
Remove diamond rings.
Men should carry their wallet in the side pocket of their pants rather than the back pocket to deter pick pockets.

Taking steps to improve your safety when travelling can only enhance your travel experience. Hopefully, the vulnerabilities and tips I have identified in this post will go a long way towards that happy ending.

Keep safe. Take care. Happy travels.

Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. Unless specifically stated, all photos are my own and remain a copyright of Joanna Rath.

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7 min read

Australia Destinations Oceania Reviews

3 OF THE BEST THINGS TO SEE AND DO IN ROCHESTER

Joanna Rath

July 21, 2019 4:57 pm July 21, 2019

7 min read

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7 min read

My sister and I have been on our road trip around Victoria for 11 days now – stopping over in Bendigo and Ballarat; travelling the silo art trail (not the…

My sister and I have been on our road trip around Victoria for 11 days now – stopping over in Bendigo and Ballarat; travelling the silo art trail (not the silo artworks in North East Victoria that I have previously written a post on); photographing our reflections on Lake Tyrrell; exploring the Lakes District around Kerang; and walking the Koondrook Barham Redgum Statue Walk.

Rochester was our last stop. We stayed just the one night as we were, by now, keen to get home. The next morning, we viewed Rochester’s silo artworks and took the river walk before heading for home early afternoon. These are two of the best things to see and do in Rochester. The third best thing to do in Rochester was eat – well worth mentioning given our food experience on this road trip.

Where is Rochester

Situated on the Campaspe River, Rochester, in Victoria (Australia), is 27 kilometres south of the Murray River Port of Echuca. The Murray River forms the border between Victoria and New South Wales, with the river actually situated in New South Wales.

Taking the fastest route, according to Google maps, Rochester is 187 kilometres north of Melbourne; 27 kilometres south of Echuca; and 240 kilometres south-west of Albury/Wodonga.

Silo artwork

Squirrel Glider and Azure Kingfisher painted on grain silos at Rochester, Victoria

Silo artworks of Squirrel Glider and Azure Kingfisher at Rochester, Victoria.

Rochester’s Silo Art project was the initiative of Rochester Business Network, with support from local businesses and the community. The silos themselves were provided by GrainCorp as ‘creative’ canvases for artworks on a massive scale. To give you an idea of perspective, the concrete silo is 22 metres high (approximately 72 feet), while the height of the metal silo is 18 metres (approximately 59 feet).

Located in the heart of town, the silos feature paintings of the endangered Squirrel Glider on the concrete silo and the Azure Kingfisher on the metal silo. Both are native to Australia.

This open-air gallery, completed in 2018, never closes and is free to visit. It is street art at its best.

The artist who designed and painted these magnificent murals, Jimmy DVate, is the very same artist who painted the silos at Goorambat in North East Victoria.

Jimmy is a Melbourne based artist and graphic designer whose talent has been recognised national and internationally. He is passionate about conservation and is particularly keen to highlight the plight of endangered species. Painting threatened Australian native fauna is a ‘signature’ of Jimmy’s artwork.

Of all the silo artworks we had seen on this road trip around Victoria, which took in the Silo Art Trail, the Rochester silos were my sister’s favourite. They rate very highly on my list too. I think I must have an affinity with Jimmy DVate’s artworks as his paintings on the silos at Goorambat also rate at the top of my favourites list.

River walk

Walking from the painted silos, we made our way to Rochester’s Red Bridge; a railway bridge crossing the Campaspe River. Built in 1876, the Red Bridge was our starting point for the 3-kilometre signposted river walk through the urban bushland that makes up the Campaspe River Reserve at Rochester.

The Red Bridge features in the background on the silo artwork of the Kingfisher.

The river walk is indicated by the red dotted line on the map below; from the brochure, Experience Rochester, courtesy of Rochester’s Visitor Information Centre.

The river walk route shown on the map of Rochester, Victoria

Map of Rochester, Victoria, showing the river walk route

The river walk meanders beside the Campaspe River through iconic Australian bush. For me, the Australian bush always gives me that sense of being home; no matter where in Australia I am experiencing it. And this walk did not disappoint. It was so peaceful. Just us two and birdsong.

This was an easy 3 kilometre walk along the riverbank. Being flat, it was not in the least bit challenging. Benches along the way provide a place to sit for a while and immerse yourself in the stillness and tranquillity.

The trees provide habitat for local wildlife. My sister enjoyed seeking and identifying the different species of native birds.

Rochester’s river walk through the Campaspe River Reserve is not just a bush walk but a history lesson along the way. Plaques dot the walk at specific points of local historical interest; providing insight into how the local Aboriginal people used the area. For example, pointing out ‘scarred’ trees caused when the bark was stripped by the Aboriginal people to make canoes, shields, containers and shelters. And the grooved rocks from grinding their axes.

The Campaspe River, a tributary of the Murray River (Australia’s principal river), is slow flowing along the walk through the Reserve – as is evidenced in the photos I took of the bush reflected in its waters.

Australian bush reflected in the Campaspe River at Rochester, Victoria — The Campaspe River at Rochester, Victoria reflects the Australian bush

Campaspe River at Rochester, Victoria with Australian Bush reflected — The Australian bush reflected in the Campaspe River at Rochester, Victoria

When to go

We visited Rochester in the first week of May; towards the end of Australia’s autumn. The average daytime temperature for Rochester in May is 17 degrees Celsius; with an average of 5 rain days for the month. The temperature was just right for a bush walk along the river.

If you are looking at visiting Rochester at another time of year and wondering what the weather will be, you can find the information you need at, FarmOnline Weather.

Where to eat

On our 12-day road trip around Victoria, we struggled to find decent food. Food that gives you that feeling of satisfaction. Food that lets you know you have eaten well. We could count on one hand the number of good meals we had on this road trip. But Rochester scored 2 out of 2 – dinner at the Shamrock Hotel and breakfast at Kits Kafe.

Our decision to try the centrally located, historic Shamrock Hotel for dinner was good one. I had crumbed lamb chops on a bed of mashed potatoes, with seasonal steamed vegetables. My sister had the Thai Beef Stir Fry. We both agreed the food was excellent. These were some of the best pub meals we had ever eaten and were thoroughly enjoyed. Had we been staying another night, we would have gone back for seconds as there was much more on the menu we wanted to try.

Breakfast at Kits Kafe was a yummy affair. We both had the pancakes – mine with maple syrup and bacon and my sister’s with fruit cumquat and bacon. The service was excellent, the food delicious, and the coffee was worth going back for after our river walk.

We could see the silo artworks across the road from the Kits Kafe.

Where to stay

We stayed at the Rochester Motel, but there are other accommodation options available.

Our main reasons for stopping overnight at Rochester was to break the journey between Kerang and Albury, and to see the silo artworks, of which I had heard much about. The river walk was a very pleasant added bonus. As was our food experience. In all, we came away feeling very satisfied with our visit to Rochester.

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Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. Unless specifically stated, all photos are my own and remain a copyright of Joanna Rath.

For more on Australia, read:

Unique Silo Art Celebrates Local Communities and Fauna

Food is Free laneway Engages Authentic Community Spirit

High Tea on the Yarra River, Melbourne

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How to Spend 5 Days in Venice, Italy – a solo traveller’s perfect self-guided walking itinerary

Day 1: San Marco

Day 2: San Polo and Santa Croce

Day 3: Cannaregio

Day 4: Castello

Day 5: Island hopping – Murano and Burano

When to go

Getting there and away

Where I stayed

Organise your photos

Cloud storage and sharing

Post and share on Facebook

Post and share on Instagram

Create a photo book / Coffee table book

Create a calendar

Create a photo ‘flip’ book

Make a photo wall

Transform your favourite holiday photo into a jigsaw puzzle

Turn your holiday photos into a movie

Create a slideshow

Keep a holiday diary

Turn your holiday story and photos into a printed book

Start a photo blog

Sell your holiday photos

Showcase on the web

Print on clothing, coasters, etc