Mosi-oa-Tunya, “the smoke that thunders” is an apt name given to Victoria Falls by the Kalolo-Lozi people.
The spray that rises above Victoria Falls truly does look like smoke. And this ‘smoke’ can be seen from some distance. I had a clear view of the ‘smoke’ rising from the Falls from my hotel in Victoria Falls, Zimbabwe, one kilometre away.
Walking around the escarpment on the Zimbabwean side of Victoria Falls, the roar the Falls produce from the volume of water crashing over the edge of the gorge makes it difficult to hear conversations.
Victoria Falls is located on the border between Zambia and Zimbabwe. I travelled to the Zimbabwean side of Victoria Falls in November 2016. It was the end of the dry season; with November being ‘low water’ for the Zambezi River. When the Zambezi River is in full flood (usually February or March), Victoria Falls forms the largest curtain of water in the world. At my time of visit, Victoria Falls was at 40% capacity. And yet, it did not disappoint.
I will be writing a detailed itinerary blog post on my visit to Victoria Falls in the near future. But for now, I just want to showcase the majesty of “the smoke that thunders” from my camera’s perspective – to let my camera do the talking.
My camera’s perspective of the smoke that thunders: a walking tour
My camera’s perspective of the smoke that thunders: a helicopter tour
Due to Victoria Falls’ reduced volume of water cascading over the edge of the gorge, I wasn’t going to take a helicopter flight over the Falls. At the last minute I changed my mind – one of my better decisions. My camera’s perspective gained a unique angle of the smoke that thunders.
Which camera perspective do you prefer?
A note on protecting your camera
Walking along the escarpment, you and your camera are going to get wet from the spray spewed up by the sheer volume of water crashing down the cliff face to the floor below.
Whether or not you keep yourself dry is up to you. But it is important to keep your camera dry if you want it to continue working.
I have a DSLR camera and have tried two different professional ‘raincoats’ for my camera. Each time, I revert back to my tried and tested method of a plastic bag. I attach the lens hood as this provides some protection for the lens glass and filters. Then, using a wide plastic bag that is longer than my camera body and extended lens (300mm), I make a hole in the bottom of the bag. I slip the lens through the hole and secure the plastic bag to the lens with a rubber band. Pulling the plastic bag up over the camera, the camera is kept dry, I have good access to all the camera’s dials, I can clearly see through the viewfinder and see the back of the camera, and I have plenty of room for my hands. And the lens can still be extended and retracted.
My experience of professional camera raincoats is so opposite to that of my plastic bag. I found them restrictive, providing poor visibility through their plastic window, and having limited space for my hands.
I also carry a microfibre cloth so I can wipe the water droplets off the lens glass.
Disclaimer: This post contains no affiliate links. All views and opinions are my own and non-sponsored. Unless specifically stated, all photos are my own and remain a copyright of Joanna Rath.